1 00:00:20,630 --> 00:00:22,100 WHAT’S WITH THIS KID? 2 00:00:22,130 --> 00:00:25,100 IS HE TRYING TO GIVE ME AN ULCER HERE, OR WHAT? 3 00:00:25,130 --> 00:00:27,460 DO YOU WANT ME TO PAGE HIM AGAIN? 4 00:00:27,500 --> 00:00:28,700 YOU PAGED HIM FIVE MINUTES AGO. 5 00:00:28,730 --> 00:00:29,770 SO HE’S AN HOUR LATE. 6 00:00:29,800 --> 00:00:31,200 I DON’T CARE ABOUT HIM BEING LATE. 7 00:00:31,240 --> 00:00:32,710 I CARE ABOUT HIM NOT CALLING TO TELL US. 8 00:00:32,740 --> 00:00:34,050 YOU READY? 9 00:00:34,070 --> 00:00:36,870 WE’RE HEADING DOWN TO THE D. A.’s OFFICE 10 00:00:36,910 --> 00:00:38,540 TO SIGN A CORROBORATING AFFIDAVIT 11 00:00:38,580 --> 00:00:40,550 FOR A DICKIE‐WAVER WE COLLARED YESTERDAY. 12 00:00:40,580 --> 00:00:42,240 GUY’S 38 YEARS OLD, 13 00:00:42,280 --> 00:00:44,710 WHIPS IT OUT IN FRONT OF HIS OLD JUNIOR HIGH SCHOOL. 14 00:00:44,750 --> 00:00:46,980 ONE OF HIS TEACHERS RECOGNIZES HIM 15 00:00:47,020 --> 00:00:48,480 FROM 25 YEARS AGO. 16 00:00:48,520 --> 00:00:50,750 HA HA. HOW’S THAT FOR BAD LUCK? 17 00:00:53,590 --> 00:00:55,490 ANYWAYS, UH... 18 00:00:58,430 --> 00:01:00,130 YOU PAGING HIM AGAIN? 19 00:01:00,160 --> 00:01:02,300 I’M CALLING HIS APARTMENT. 20 00:01:03,940 --> 00:01:05,740 DANNY. HEY, IT’S ANDY SIPOWICZ. 21 00:01:05,770 --> 00:01:07,400 I’M SORRY TO BOTHER YOU AGAIN, 22 00:01:07,440 --> 00:01:09,270 BUT IF YOU’RE THERE, YOU MIGHT WANT TO ‐‐ 23 00:01:09,310 --> 00:01:10,620 OH, I DON’T KNOW ‐‐ 24 00:01:10,640 --> 00:01:12,170 GET YOUR ASS TO WORK 25 00:01:12,210 --> 00:01:14,010 BEFORE THE BOSS SHOWS UP AT 10:00 26 00:01:14,050 --> 00:01:15,350 AND FINDS YOU A. W. O. L. 27 00:01:15,380 --> 00:01:18,010 [ SIGHS ] 28 00:01:18,050 --> 00:01:19,620 LOOK, JUST, UH, 29 00:01:19,650 --> 00:01:21,420 JUST GIVE ME A CALL AND I’LL PUT IN A 28 30 00:01:21,450 --> 00:01:24,890 OR I’LL CALL THE SICK DESK, BUT YOU CAN’T JUST NOT CALL. 31 00:01:28,160 --> 00:01:29,590 ANDY, HE’LL BE IN. 32 00:01:29,630 --> 00:01:31,090 I WOULDN’T WORRY ABOUT IT. 33 00:01:31,130 --> 00:01:32,590 YOU KNOW WHAT? YOU’RE RIGHT. 34 00:01:32,630 --> 00:01:34,300 I’M NOT GOING TO WORRY ABOUT IT. 35 00:01:34,330 --> 00:01:36,300 HE CAN EXPLAIN IT TO THE BOSS, NOT ME. 36 00:01:36,330 --> 00:01:37,500 I’M NOT HIS DAD. 37 00:01:37,540 --> 00:01:39,980 HE PROBABLY JUST GOT TIED UP SOMEWHERE. 38 00:01:40,000 --> 00:01:42,440 IT’S HIS BUSINESS. 39 00:01:42,470 --> 00:01:45,670 MAYBE YOU SHOULD GO OVER TO HIS PLACE AND ROUST HIM. 40 00:01:45,710 --> 00:01:47,510 HE DON’T SEEM TO LISTEN TO ME. 41 00:01:47,550 --> 00:01:48,690 YOU WANT ME TO? I’LL GO. 42 00:01:48,710 --> 00:01:50,450 I’LL GO. 43 00:01:50,480 --> 00:01:52,480 WANT ME TO COME ALONG? YOU STAY OUT OF THIS. 44 00:01:53,690 --> 00:01:55,830 WHAT DO YOU WANT ME TO TELL THE BOSS 45 00:01:55,850 --> 00:01:58,150 IF YOU’RE NOT BACK IN AN HOUR? 46 00:01:58,190 --> 00:02:00,160 [ Sighs ] ALL RIGHT, THEN COME ON. 47 00:02:00,190 --> 00:02:01,190 COME WITH ME. 48 00:02:01,230 --> 00:02:03,530 WE’RE WORKING ON AN OLD CASE. 49 00:02:03,560 --> 00:02:04,560 COME ON. 50 00:02:15,840 --> 00:02:17,710 THIS IS ON THE Q. T., WHAT’S GOING ON HERE. 51 00:02:17,740 --> 00:02:19,980 I DON’T WANT IT GETTING OUT 52 00:02:20,010 --> 00:02:22,980 ABOUT HIM GETTING HIS LOAD ON LAST NIGHT AT SOME STRIP CLUB. 53 00:02:23,010 --> 00:02:24,310 WE’RE CLOSING RANKS HERE. 54 00:02:24,350 --> 00:02:25,680 ANDY, I GOT IT. 55 00:02:25,720 --> 00:02:26,760 GOOD. 56 00:02:29,390 --> 00:02:32,400 DANNY, GET YOUR ASS UP. 57 00:02:32,420 --> 00:02:33,560 THIS IS RIDICULOUS ‐‐ 58 00:02:33,590 --> 00:02:35,260 COMING HERE TO DRAG HIM INTO WORK 59 00:02:35,290 --> 00:02:37,360 LIKE HE’S ELVIS OR SOMETHING. 60 00:02:37,400 --> 00:02:40,040 DANNY? 61 00:02:40,060 --> 00:02:42,030 IF HE’S SHACKED UP WITH THAT GIRL, 62 00:02:42,070 --> 00:02:44,380 I’M WALKING AWAY AND YOU DO THE TALKING ’CAUSE I’LL ‐‐ 63 00:02:44,400 --> 00:02:45,700 WHAT GIRL? 64 00:02:45,740 --> 00:02:49,110 THAT’S NOT A DETAIL YOU NEED TO WORRY ABOUT. 65 00:02:49,140 --> 00:02:52,940 I’M GOING TO GET IRRITATED HERE IN ABOUT ONE SECOND. 66 00:03:01,750 --> 00:03:03,590 DANNY. 67 00:03:12,960 --> 00:03:14,430 ANDY. 68 00:03:14,470 --> 00:03:15,740 WHAT? 69 00:04:47,360 --> 00:04:49,320 SO WHAT TIME DID YOU DROP HIM OFF HERE? 70 00:04:49,360 --> 00:04:50,330 2:00 A. M. 71 00:04:50,360 --> 00:04:51,660 WAS THE GIRL HERE? 72 00:04:51,700 --> 00:04:52,670 NO. 73 00:04:52,700 --> 00:04:54,170 DO YOU KNOW WHO THE GIRL IS? 74 00:04:54,200 --> 00:04:56,530 KRISTEN MOORE. SHE LIVES IN THE 17th PRECINCT. 75 00:04:56,570 --> 00:04:58,170 SO YOU KNOW HER. 76 00:04:58,200 --> 00:05:00,170 SHE HELPED US WITH A CASE. WORE A WIRE ‐‐ HOMICIDE SUSPECT. 77 00:05:00,200 --> 00:05:02,840 IS THAT WHEN HER AND YOUR GUY GOT FRIENDLY? 78 00:05:02,870 --> 00:05:04,340 HOW LONG AGO WAS THIS? 79 00:05:04,380 --> 00:05:05,420 A WEEK. 80 00:05:05,440 --> 00:05:06,880 WHAT ELSE DO YOU KNOW ABOUT HER? 81 00:05:06,910 --> 00:05:08,340 SHE WORKED AT THIS CLUB ‐‐ TAILFEATHERS. 82 00:05:08,380 --> 00:05:09,340 STRIP CLUB? 83 00:05:09,380 --> 00:05:10,350 YEAH. 84 00:05:10,380 --> 00:05:11,350 SO SHE’S A STRIPPER. 85 00:05:11,380 --> 00:05:12,480 YEAH. 86 00:05:12,520 --> 00:05:13,860 YOUR GUY AND THE STRIPPER ARGUE A LOT? 87 00:05:13,890 --> 00:05:15,760 HE DIDN’T KILL HER. 88 00:05:15,790 --> 00:05:17,760 ALL DUE RESPECT, IF YOU TWO CAUGHT THIS 89 00:05:17,790 --> 00:05:19,820 AND ONE OF OUR GUYS WAS BANGING A STRIPPER 90 00:05:19,860 --> 00:05:21,490 AND SHE ENDED UP DEAD IN HIS APARTMENT 91 00:05:21,530 --> 00:05:23,230 AND HE’S IN THE WIND ‐‐ I MEAN, COME ON. 92 00:05:23,260 --> 00:05:24,330 HE DIDN’T DO IT. 93 00:05:24,360 --> 00:05:26,490 ALL RIGHT. ANYONE ELSE JUMP OUT? 94 00:05:26,530 --> 00:05:27,830 JEALOUS EX‐WIVES, GIRLFRIENDS? 95 00:05:27,870 --> 00:05:29,010 NO. 96 00:05:29,030 --> 00:05:30,170 ’CAUSE THIS WASN’T FORCED ENTRY. 97 00:05:30,200 --> 00:05:31,830 YEAH, WE KIND OF NOTICED THAT. 98 00:05:31,870 --> 00:05:33,840 WE DON’T KNOW WHO DID THIS, BUT JUST SO YOU KNOW, 99 00:05:33,870 --> 00:05:35,840 WE’RE GOING TO BE TRYING TO FIND OUT WHO DID. 100 00:05:35,870 --> 00:05:38,170 WE’LL GIVE YOU A HEADS UP IF WE FIND ANYTHING. 101 00:05:38,210 --> 00:05:39,680 WE DON’T GOT A PROBLEM WITH THAT, 102 00:05:39,710 --> 00:05:40,740 BUT IF YOUR PARTNER CONTACTS YOU ‐‐ 103 00:05:40,780 --> 00:05:42,880 WHEN HE CALLS US, WE’LL CALL YOU. 104 00:05:53,390 --> 00:05:54,520 HAS HE CALLED IN? 105 00:05:54,560 --> 00:05:55,620 NO. 106 00:05:55,660 --> 00:05:57,530 DON’T YOU GUYS TAKE A RADIO WITH YOU? 107 00:05:57,560 --> 00:05:59,430 HE CHECKED IN YET? 108 00:05:59,460 --> 00:06:01,700 NO, AND I’VE BEEN PAGING HIM ALL MORNING. 109 00:06:01,730 --> 00:06:04,470 HELLO ‐‐ OVER HERE. WHY HAVEN’T YOU GUYS CALLED IN? 110 00:06:04,500 --> 00:06:06,370 WE GOT A D. O. A. OVER ON AVENUE C AND 4th. 111 00:06:06,400 --> 00:06:08,100 WE HAVE TO TALK ‐‐ EVERYBODY. 112 00:06:16,580 --> 00:06:18,710 WHAT’S GOING ON? 113 00:06:18,750 --> 00:06:22,580 DANNY’S, UH... WE DON’T KNOW WHERE HE IS. 114 00:06:22,620 --> 00:06:24,250 YOU TRY HIS APARTMENT? 115 00:06:24,290 --> 00:06:27,590 WE JUST CAME FROM THERE, AND THAT DANCER KRISTEN MOORE 116 00:06:27,630 --> 00:06:29,600 WHO WORE A WIRE FOR US ‐‐ 117 00:06:29,630 --> 00:06:31,090 SHE’S D. O. A. 118 00:06:31,130 --> 00:06:33,160 AT SORENSON’S APARTMENT. 119 00:06:35,630 --> 00:06:37,300 I’M TELLING YOU RIGHT NOW, BOSS, HE DIDN’T DO IT. 120 00:06:37,340 --> 00:06:40,410 DID SORENSON HAVE ANY CONTACT WITH HER AFTER THAT CASE? 121 00:06:40,440 --> 00:06:42,240 YEAH, I GUESS A LITTLE. 122 00:06:42,270 --> 00:06:44,910 I PULLED HIM OUT OF THAT CLUB LAST NIGHT. 123 00:06:44,940 --> 00:06:46,410 SHE WAS THERE? HE WAS DRUNK? 124 00:06:46,440 --> 00:06:48,240 YEAH, BUT HE WOULDN’T DO THIS. 125 00:06:48,280 --> 00:06:50,310 THEN WHERE IS HE? I DON’T KNOW. 126 00:06:50,350 --> 00:06:52,910 ME AND CONNIE ARE GOING TO MAKE SOME PHONE CALLS, 127 00:06:52,950 --> 00:06:53,880 LOOK AROUND. 128 00:07:01,960 --> 00:07:03,930 SO WE DON’T KNOW WHERE HE IS? 129 00:07:03,960 --> 00:07:06,130 I WASN’T LYING TO THE BOSS. WE DON’T KNOW. 130 00:07:06,160 --> 00:07:07,130 OKAY. 131 00:07:07,170 --> 00:07:08,470 ANYTHING YOU NEED, ALL RIGHT? 132 00:07:08,500 --> 00:07:09,770 WE’LL CALL IF WE DO. 133 00:07:09,800 --> 00:07:12,470 I’LL GET HIS PHONE RECORD, 134 00:07:12,500 --> 00:07:15,440 SEE IF THERE’S ANY ACTIVITY ON HIS CREDIT CARDS. 135 00:07:15,470 --> 00:07:16,940 CALL DIANE. 136 00:07:16,980 --> 00:07:18,480 SEE IF SHE’S HEARD FROM HIM. 137 00:07:18,510 --> 00:07:19,780 OKAY. 138 00:07:19,810 --> 00:07:21,480 DON’T TELL HER ABOUT THE OTHER PART, 139 00:07:21,510 --> 00:07:23,480 JUST...IF SHE’S HEARD. 140 00:07:23,510 --> 00:07:24,810 WHAT’S GOING ON? 141 00:07:27,920 --> 00:07:29,890 THERE WAS A PROBLEM AT DANNY’S APARTMENT. 142 00:07:29,920 --> 00:07:31,850 UH, A GIRL GOT MURDERED. 143 00:07:31,890 --> 00:07:33,150 OH, MY GOD. 144 00:07:33,190 --> 00:07:35,290 AND THAT AIN’T FOR THE WATER COOLER, JOHN. 145 00:07:35,330 --> 00:07:36,740 NO, OF COURSE NOT. 146 00:07:50,210 --> 00:07:53,680 D.O.A. IS A CYRUS MORRISON ‐‐ LIVES HERE. 147 00:07:53,710 --> 00:07:56,340 GOT SHOT A COUPLE TIMES IN THE BACK 148 00:07:56,380 --> 00:07:58,350 AS HE WAS RUNNING THROUGH THE REAR. 149 00:08:01,720 --> 00:08:05,020 OH, HERE WE GO. 150 00:08:05,060 --> 00:08:08,030 IT LOOKS LIKE ONE IN THE HEAD, CLOSE RANGE, 151 00:08:08,060 --> 00:08:09,590 WHILE HE WAS ON THE GROUND. 152 00:08:09,630 --> 00:08:10,830 YOU HEARD ABOUT THIS GUY? 153 00:08:10,860 --> 00:08:12,190 NO. YOU? 154 00:08:12,230 --> 00:08:14,900 YEAH. HE WAS A NEIGHBORHOOD WITCH DOCTOR‐TYPE GUY ‐‐ 155 00:08:14,930 --> 00:08:17,170 READS YOUR FORTUNE, REMOVES EVIL SPIRITS. 156 00:08:17,200 --> 00:08:18,730 I GOT A CALL HERE ONE TIME 157 00:08:18,770 --> 00:08:20,540 ’CAUSE SOME OLD LADY GAVE HIM 100 BUCKS 158 00:08:20,570 --> 00:08:22,200 TO COMMUNICATE WITH HER DEAD CAT 159 00:08:22,240 --> 00:08:24,170 AND WANTED HER MONEY BACK ’CAUSE I GUESS ‐‐ 160 00:08:24,210 --> 00:08:27,180 WHAT ELSE YOU GOT? 161 00:08:27,210 --> 00:08:29,710 ANOTHER BLACK MAN WAS HERE WHEN IT HAPPENED. 162 00:08:29,750 --> 00:08:31,950 SHOT IN THE SIDE OF THE HEAD. HE’S AT BELLEVUE. 163 00:08:31,980 --> 00:08:33,450 HE GOING TO PULL THROUGH? 164 00:08:33,480 --> 00:08:35,280 LOOKS LIKE IT. 165 00:08:35,320 --> 00:08:37,450 HE GIVE YOU ANYTHING BEFORE E. M. S. CARTED HIM OUT? 166 00:08:37,490 --> 00:08:38,850 NO. HE WAS ALREADY GONE. 167 00:08:38,890 --> 00:08:40,890 SO WHO CALLED IT IN? 168 00:08:40,930 --> 00:08:43,640 NEIGHBOR HEARD SHOTS, CALLED 911. SHE’S NEXT DOOR. 169 00:08:43,660 --> 00:08:45,090 WHAT’S WITH THE CAPE? 170 00:08:45,130 --> 00:08:47,960 HE WAS GETTING HIS HAIR CUT BY THE GUY AT BELLEVUE. 171 00:08:48,000 --> 00:08:49,530 WE GOT THIS NOW. THANKS. 172 00:08:49,570 --> 00:08:51,530 CATCH YOU GUYS ON A BAD DAY? 173 00:08:51,570 --> 00:08:52,700 YEAH, YOU DID, 174 00:08:52,740 --> 00:08:54,580 AND HOW ABOUT YOU DON’T MAKE IT WORSE 175 00:08:54,610 --> 00:08:55,710 BY BREAKING OUR BALLS? 176 00:08:55,740 --> 00:08:57,410 EXCUSE ME. 177 00:09:00,410 --> 00:09:03,410 [ Sighs ] QUICK CANVAS, AND THEN OVER TO BELLEVUE? 178 00:09:03,450 --> 00:09:05,390 YEAH. 179 00:09:05,420 --> 00:09:08,230 I AM TOTALLY OPERATING UNDER THE STANDPOINT 180 00:09:08,250 --> 00:09:12,090 THAT DANNY HAD NOTHING TO DO WITH THAT GIRL GETTING DEAD. 181 00:09:12,120 --> 00:09:13,920 YEAH, ME, TOO. AND YOU KNOW WHAT? 182 00:09:13,960 --> 00:09:16,090 LET’S JUST NOT TALK ABOUT IT ANYMORE 183 00:09:16,130 --> 00:09:17,740 UNTIL WE FIND OUT WHAT’S GOING ON. 184 00:09:17,760 --> 00:09:18,830 AMEN. 185 00:09:30,640 --> 00:09:33,840 WELL, THANKS FOR TELLING ME NOW. 186 00:09:33,880 --> 00:09:35,440 MY GUY’S IN THE WIND. 187 00:09:35,480 --> 00:09:37,280 YEAH? YOU TOO! 188 00:09:37,320 --> 00:09:38,690 WHO WAS THAT? 189 00:09:38,720 --> 00:09:41,460 O.C.C.B. THE FEDS HAD THAT STRIP CLUB UP FOR MONTHS. 190 00:09:41,490 --> 00:09:43,600 YEAH, WE HEARD THEY’RE MOBBED UP. 191 00:09:43,620 --> 00:09:46,020 WELL, I DIDN’T KNOW TILL NOW THAT THE FEDS WERE INVOLVED. 192 00:09:46,060 --> 00:09:48,770 YESTERDAY, DANNY CAME TO ME HOW THE OWNERS APPROACHED HIM 193 00:09:48,790 --> 00:09:50,460 ABOUT RUNNING ONE OF THE EMPLOYEES THROUGH B.C.I. 194 00:09:50,490 --> 00:09:51,590 YOU LET HIM DO IT? 195 00:09:51,630 --> 00:09:53,760 WE WANTED TO SEE HOW CLOSE HE COULD GET. 196 00:09:53,800 --> 00:09:55,300 YOU PUT HIM UNDERCOVER? 197 00:09:55,330 --> 00:09:57,930 HE CAME TO ME REQUESTING IT, AND IT GOT SIGNED OFF ON. 198 00:09:57,970 --> 00:10:00,040 AND YOU’RE NOT TELLING ME UNTIL NOW? 199 00:10:00,070 --> 00:10:01,940 YEAH, BECAUSE THAT’S HOW UNDERCOVER WORKS. 200 00:10:01,970 --> 00:10:04,810 EVERYBODY’S INFORMED ON A NEED‐TO‐KNOW BASIS. 201 00:10:04,840 --> 00:10:06,810 THIS KID HAS BEEN ON THE EDGE AS IT IS, 202 00:10:06,850 --> 00:10:08,820 HE’S GOT A HARD‐ON FOR THIS STRIPPER, 203 00:10:08,850 --> 00:10:10,820 AND YOU SIGN OFF ON HIM GOING IN UNDERCOVER. 204 00:10:10,850 --> 00:10:13,110 THAT’S REALLY SHARP WORK THERE, LIEUTENANT. 205 00:10:13,150 --> 00:10:14,350 HE APPROACHED ME. 206 00:10:14,390 --> 00:10:15,830 I DIDN’T KNOW HE HAD A RELATIONSHIP GOING 207 00:10:15,850 --> 00:10:17,990 WITH A STRIPPER OR I WOULDN’T HAVE DONE IT. 208 00:10:18,020 --> 00:10:19,890 YOU COULD’VE FOUND OUT IF YOU PULLED ME ASIDE YESTERDAY. 209 00:10:19,920 --> 00:10:21,720 THIS KRISTEN HELPED PUT AWAY ONE OF THEIR BOUNCERS. 210 00:10:21,760 --> 00:10:22,990 THIS MIGHT’VE BEEN A PAYBACK. 211 00:10:23,030 --> 00:10:24,640 ON DANNY, TOO. 212 00:10:24,660 --> 00:10:27,360 THAT’S WHAT I CALLED O. C. C. B. ABOUT, AND THEY DON’T KNOW. 213 00:10:27,400 --> 00:10:29,130 WHO KNOWS WHERE THIS KID IS NOW? 214 00:10:29,170 --> 00:10:31,210 YOU SHOULD HAVE BROUGHT ME INTO THE LOOP! 215 00:10:31,240 --> 00:10:33,480 YEAH, I HEARD. 216 00:10:33,500 --> 00:10:36,140 MY GUESS IS I’LL BE GETTING A PHONE CALL FROM SOME FED 217 00:10:36,170 --> 00:10:38,640 ORDERING ME TO STAY AWAY FROM THAT CLUB. 218 00:10:38,680 --> 00:10:41,720 IF YOU WANT TO GO DOWN THERE AND ASK QUESTIONS, DO IT QUICK. 219 00:10:58,960 --> 00:11:00,600 HEY! HOW’D IT GO LAST NIGHT? 220 00:11:00,630 --> 00:11:02,100 YOU GET DANNY HOME? 221 00:11:02,130 --> 00:11:04,100 I WANT TO TALK TO YOU. 222 00:11:04,140 --> 00:11:05,110 EVERYBODY OUT. 223 00:11:05,140 --> 00:11:06,610 WHAT DO YOU WANT US TO DO, BOSS? 224 00:11:06,640 --> 00:11:08,000 GET OUT OF HERE ‐‐ NOW. 225 00:11:08,040 --> 00:11:09,240 LET’S GO. 226 00:11:09,270 --> 00:11:10,340 MOVE YOUR ASS. 227 00:11:10,370 --> 00:11:11,510 GEE! 228 00:11:11,540 --> 00:11:13,910 WHAT’S THE PROBLEM? 229 00:11:13,950 --> 00:11:15,620 I CAN’T FIND DANNY. 230 00:11:15,650 --> 00:11:17,420 YOU TOOK HIM OUT OF HERE. THAT’S THE LAST I SAW HIM. 231 00:11:17,450 --> 00:11:18,880 WHAT HAVE YOU HEARD? 232 00:11:18,920 --> 00:11:19,890 NOTHING. 233 00:11:19,920 --> 00:11:21,550 I BARELY KNOW THE GUY. 234 00:11:21,590 --> 00:11:22,890 I DON’T KNOW NOTHING. 235 00:11:22,920 --> 00:11:24,190 I THINK YOU DO KNOW, JOEY. 236 00:11:24,220 --> 00:11:25,520 WELL, I DON’T. 237 00:11:25,560 --> 00:11:26,930 TRY THAT GIRL KRISTEN HE’S BEEN PORKING. 238 00:11:26,960 --> 00:11:28,890 MAYBE SHE KNOWS SOMETHING. SHE’S GONE, TOO. 239 00:11:28,930 --> 00:11:31,370 MAYBE THEY JOINED THE CIRCUS. I DON’T KNOW. 240 00:11:31,400 --> 00:11:33,240 WHO REALLY RUNS THIS PLACE HERE, JOEY, HUH? 241 00:11:33,260 --> 00:11:34,900 I KNOW YOU’RE FRONTING FOR SOMEBODY. 242 00:11:34,930 --> 00:11:36,700 NOT ME, GUY. I STAY OUT OF THAT. 243 00:11:36,740 --> 00:11:39,140 THAT’S A WRONG‐WAY STREET. 244 00:11:43,110 --> 00:11:46,620 DO I KNOW GUYS? YEAH. 245 00:11:46,650 --> 00:11:48,120 DO THEY HANG OUT HERE? YEAH! 246 00:11:48,150 --> 00:11:49,890 BUT NO WAY I’M IN ANYBODY’S POCKET. 247 00:11:49,910 --> 00:11:53,110 YOU’RE LYING, JOEY. I KNOW YOU’RE HOOKED UP. 248 00:11:53,150 --> 00:11:54,620 AND IF YOU’RE LYING ABOUT THAT, 249 00:11:54,650 --> 00:11:57,720 WHAT’S TO SAY YOU’RE NOT LYING ABOUT EVERYTHING? 250 00:11:57,760 --> 00:11:59,430 HEY, OKAY. 251 00:11:59,460 --> 00:12:02,100 I KNOW WHAT’S IT LIKE NOT TO GET THE ANSWER YOU’RE HOPING FOR. 252 00:12:02,130 --> 00:12:03,100 YOU DO, HUH? 253 00:12:03,130 --> 00:12:04,800 IT’S AS FRUSTRATING AS HELL, 254 00:12:04,830 --> 00:12:06,600 ESPECIALLY WHEN A FRIEND’S INVOLVED, 255 00:12:06,630 --> 00:12:08,100 BUT I DON’T KNOW WHERE HE IS. 256 00:12:08,130 --> 00:12:09,930 I LIKE DANNY. IF I KNEW, I’D TELL YA. 257 00:12:09,970 --> 00:12:11,730 YOU KNOW WHAT, JOEY? 258 00:12:11,770 --> 00:12:12,900 I BELIEVE YOU. 259 00:12:12,940 --> 00:12:14,250 THANK YOU. OKAY. 260 00:12:14,270 --> 00:12:16,910 THEN CAN WE JUST BRING IT DOWN A NOTCH? 261 00:12:16,940 --> 00:12:18,910 JUST CHILL OUT. HOW ABOUT A DRINK ON ME, OKAY? 262 00:12:18,940 --> 00:12:21,140 NOW YOU’RE GOING TO TELL ME WHO YOU ANSWER TO. 263 00:12:21,180 --> 00:12:22,640 WHO PULLS THE STRINGS IN THIS JOINT? 264 00:12:22,680 --> 00:12:24,950 NOBODY! OKAY? THIS PLACE IS CLEAN. 265 00:12:24,980 --> 00:12:28,180 OW! WHAT ARE YOU DOING? WHAT DO YOU WANT FROM ME? 266 00:12:28,220 --> 00:12:29,950 I TOLD YOU EVERYTHING ‐‐ AAH! 267 00:12:35,630 --> 00:12:37,440 AAH! I DON’T KNOW NAMES! 268 00:12:37,460 --> 00:12:39,800 I PAY PROTECTION TO SOME GUY I DON’T KNOW! 269 00:12:44,670 --> 00:12:47,140 [ Gasping ] YOU KNOW WHAT HAPPENS IF I GIVE THIS GUY UP? 270 00:12:47,170 --> 00:12:50,140 YOU NEED TO WORRY ABOUT ME RIGHT NOW. 271 00:12:57,680 --> 00:12:58,880 PAUL! 272 00:12:58,920 --> 00:12:59,890 PAUL WHO? 273 00:12:59,920 --> 00:13:01,550 PAUL CATAPANO. 274 00:13:01,590 --> 00:13:03,330 PAUL CATAPANO! 275 00:13:08,560 --> 00:13:11,860 [ GASPING AND COUGHING ] 276 00:13:29,180 --> 00:13:30,250 CRAIG MILLER? 277 00:13:30,280 --> 00:13:31,980 I’M DETECTIVE MEDAVOY. THIS IS DETECTIVE JONES. 278 00:13:32,020 --> 00:13:34,160 THAT ASSHOLE BLEW MY EAR OFF, MAN! 279 00:13:34,190 --> 00:13:35,330 MY EAR! 280 00:13:35,350 --> 00:13:37,020 DOCTORS SAY THEY’RE GOING TO HAVE TO USE 281 00:13:37,060 --> 00:13:39,600 PART OF MY THIGH TO TRY AND REPLACE IT. 282 00:13:39,620 --> 00:13:41,860 WELL, YOU STILL HAVE THE OTHER ONE. 283 00:13:41,890 --> 00:13:42,990 IS CYRUS DEAD? 284 00:13:43,030 --> 00:13:44,340 YEAH. 285 00:13:44,360 --> 00:13:45,990 THAT’S MESSED UP, MAN. 286 00:13:46,030 --> 00:13:48,530 WHAT HAPPENED THIS MORNING? 287 00:13:48,570 --> 00:13:51,180 I’M GIVING CYRUS A HAIRCUT, AND SOMEONE KNOCKS. 288 00:13:51,200 --> 00:13:53,670 I GO CHECK IT OUT AND I TELL CYRUS IT’S DAMON. 289 00:13:53,710 --> 00:13:55,950 DO YOU KNOW DAMON? 290 00:13:55,970 --> 00:13:57,670 I NEVER SEEN HIM BEFORE. AND THEN CYRUS SAYS, 291 00:13:57,710 --> 00:14:00,540 "WELL, DOES HE LOOK UPSET OR DOES HE SEEM OKAY?" 292 00:14:00,580 --> 00:14:02,340 I SAYS HE LOOKS ALL RIGHT BECAUSE HE DID. 293 00:14:02,380 --> 00:14:03,880 SO CYRUS SAYS TO LET HIM IN. 294 00:14:03,920 --> 00:14:05,360 HE START SHOOTING RIGHT AWAY? 295 00:14:05,380 --> 00:14:06,850 NO. CYRUS WAS TALKING DAMON UP 296 00:14:06,890 --> 00:14:09,030 ABOUT HOW DAMON WAS ONE OF THE BEST HELPERS 297 00:14:09,050 --> 00:14:11,850 HE EVER HAD, AND THEN OUT OF NOWHERE 298 00:14:11,890 --> 00:14:13,350 I HEAR THIS EXPLOSION, 299 00:14:13,390 --> 00:14:14,860 AND I HIT THE FLOOR. 300 00:14:14,890 --> 00:14:18,630 BACKGROUND, I COULD HEAR CYRUS SCREAMING, MORE GUNSHOTS. 301 00:14:18,660 --> 00:14:20,430 THAT’S ALL I CAN REMEMBER 302 00:14:20,460 --> 00:14:22,800 TILL I WOKE UP IN THE AMBULANCE. 303 00:14:22,830 --> 00:14:24,570 ALL RIGHT, SO DAMON WAS CYRUS’ OLD HELPER 304 00:14:24,600 --> 00:14:26,270 AND YOU WERE HIS NEW ONE. I DO STUFF FOR CYRUS. 305 00:14:26,300 --> 00:14:30,140 BUT IT SOUNDED LIKE DAMON DID A LOT MORE FOR A LOT LONGER. 306 00:14:30,170 --> 00:14:32,610 WHAT DO YOU DO FOR CYRUS AND HOW LONG YOU BEEN DOING IT? 307 00:14:32,640 --> 00:14:34,580 ODD JOBS ‐‐ CARRYING GROCERIES, RUNNING ERRANDS, 308 00:14:34,610 --> 00:14:35,710 THAT KIND OF THING. 309 00:14:35,750 --> 00:14:37,320 BEEN DOING IT FOR A COUPLE MONTHS. 310 00:14:37,350 --> 00:14:38,580 YOU GUYS LOVERS? 311 00:14:38,620 --> 00:14:41,590 WHAT? HEY, SCREW YOU, MAN! I DON’T GOTTA TAKE THAT! 312 00:14:41,620 --> 00:14:44,050 HEY, WE DON’T KNOW YOU, CRAIG. WE’RE HEARING WHAT WE’RE HEARING 313 00:14:44,090 --> 00:14:45,220 AND WE GOTTA ASK THE QUESTIONS. 314 00:14:45,260 --> 00:14:46,460 NO, WE WEREN’T. 315 00:14:46,490 --> 00:14:48,560 LOOK, MAYBE CYRUS LIKES GUYS, 316 00:14:48,590 --> 00:14:49,760 BUT I DON’T. 317 00:14:49,790 --> 00:14:51,660 AND DON’T BRING THAT TO ME AGAIN. 318 00:14:51,700 --> 00:14:53,000 AND THIS WASN’T ONE OF YOUR ENEMIES 319 00:14:53,030 --> 00:14:54,000 COME GUNNING FOR YOU 320 00:14:54,030 --> 00:14:55,330 AND YOUR OLD MAN GOT IN THE WAY? 321 00:14:55,370 --> 00:14:57,910 NO, OR I’D BE DEAD AND CYRUS WOULD HAVE HIS EAR BLOWN OFF. 322 00:14:57,940 --> 00:14:58,910 DON’T YOU THINK? 323 00:14:58,940 --> 00:15:00,450 MAN, YOU GUYS ARE WACK. 324 00:15:00,470 --> 00:15:01,600 YOU KNOW WHAT? 325 00:15:01,640 --> 00:15:03,400 I’M TIRED OF THESE DUMB‐ASS QUESTIONS. 326 00:15:03,440 --> 00:15:05,840 COULD YOU PICK DAMON OUT OF A GROUP OF PHOTOS? 327 00:15:05,880 --> 00:15:07,690 YEAH. 328 00:15:07,710 --> 00:15:09,140 WE’LL BE BACK. 329 00:15:09,180 --> 00:15:11,650 OKAY. AND WHEN YOU DO COME BACK, 330 00:15:11,680 --> 00:15:13,410 WHY DON’T YOU SHOW ME A LITTLE MORE RESPECT? 331 00:15:13,450 --> 00:15:15,080 WHAT? 332 00:15:15,120 --> 00:15:17,290 COME ON. 333 00:15:36,910 --> 00:15:39,210 NOTHING FROM DETECTIVE SORENSON. 334 00:15:39,240 --> 00:15:41,210 BUT YOUR FRIEND FAXED OVER DANNY’S PHONE RECORDS 335 00:15:41,250 --> 00:15:43,020 FROM THE LAST TWO WEEKS. 336 00:15:43,050 --> 00:15:44,390 HE RAN THIS. 337 00:15:44,420 --> 00:15:46,290 ONE CALL IN TO HIM FROM TAILFEATHERS 338 00:15:46,320 --> 00:15:48,130 AT 3:00 A.M. KRISTEN? 339 00:15:48,150 --> 00:15:49,180 WHO KNOWS? 340 00:15:49,220 --> 00:15:51,120 ONE CALL OUT AT 2:30 TO KAREN REDDING 341 00:15:51,160 --> 00:15:52,700 IN STATEN ISLAND. WHO’S THAT? 342 00:15:52,720 --> 00:15:53,960 I DON’T KNOW. 343 00:15:53,990 --> 00:15:55,960 I THINK THAT MAY BE DETECTIVE SORENSON’S AUNT. 344 00:15:55,990 --> 00:15:57,860 I OVERHEARD HIM ONCE ON THE PHONE. 345 00:15:57,900 --> 00:15:59,300 THAT’S WHO RAISED HIM, 346 00:15:59,330 --> 00:16:01,460 AND I DON’T EVEN KNOW HER NAME. 347 00:16:01,500 --> 00:16:03,970 UH, ANY HITS OFF DANNY’S CREDIT CARD? 348 00:16:04,000 --> 00:16:06,940 NOT YET. LET’S GO. 349 00:16:10,410 --> 00:16:12,370 THANKS. 350 00:16:12,410 --> 00:16:14,040 HOPE YOU GOT WHAT YOU NEEDED FROM THAT CLUB, 351 00:16:14,080 --> 00:16:15,310 ’CAUSE THE FEDS SHUT US DOWN. 352 00:16:15,350 --> 00:16:17,490 THE OWNERS REPORT TO A PAUL CATAPANO. 353 00:16:17,520 --> 00:16:19,990 WE’RE GOING TO LOOK INTO HIS PLACES 354 00:16:20,020 --> 00:16:21,980 AND HAVE A CONVERSATION. WHO’S THIS? 355 00:16:22,020 --> 00:16:24,090 I DON’T KNOW, BUT IT AIN’T GOOD. 356 00:16:24,120 --> 00:16:26,720 SPECIAL AGENT BOYD. WE SPOKE ON THE PHONE. 357 00:16:26,760 --> 00:16:28,160 WE SURE DID. 358 00:16:28,190 --> 00:16:29,690 I THOUGHT I MADE IT CLEAR 359 00:16:29,730 --> 00:16:31,530 NONE OF YOUR PEOPLE WERE TO APPROACH TAILFEATHERS. 360 00:16:31,560 --> 00:16:33,190 MY DETECTIVES HAD ALREADY LEFT WHEN WE SPOKE. 361 00:16:33,230 --> 00:16:34,200 HEY, WE GOT A MAN MISSING. 362 00:16:34,230 --> 00:16:35,830 YEAH, AND WE GOT ONE MISSING, TOO. 363 00:16:35,870 --> 00:16:37,280 ONE OF OUR AGENTS, PETE McNEIL, 364 00:16:37,300 --> 00:16:38,870 WAS INSIDE THAT BAR FOR SIX MONTHS. 365 00:16:38,900 --> 00:16:40,000 DETECTIVE SORENSON, 366 00:16:40,040 --> 00:16:41,770 AS A FAVOR TO THE OWNER, APPARENTLY, 367 00:16:41,810 --> 00:16:44,080 RAN PETE THROUGH B.C.I. NOW WE CAN’T FIND HIM. 368 00:16:44,110 --> 00:16:46,440 I CLEARED THAT MOVE YESTERDAY WITH MY BOSSES, 369 00:16:46,480 --> 00:16:48,590 AND SORENSON REPORTED BACK TO THE OWNERS 370 00:16:48,610 --> 00:16:50,180 THAT YOUR GUY WAS ON THE LEVEL. 371 00:16:50,210 --> 00:16:51,450 WE’RE NOT BLAMING YOU GUYS. 372 00:16:51,480 --> 00:16:53,010 WASN’T YOU THAT DROPPED THE BALL. 373 00:16:53,050 --> 00:16:54,350 BUT YOU STAY AWAY FROM THAT CLUB 374 00:16:54,390 --> 00:16:55,690 TILL WE FIND OUT WHAT’S GOING ON. 375 00:16:55,720 --> 00:16:58,250 WE ALREADY GOT A PRETTY GOOD IDEA WHAT’S GOING ON. 376 00:16:58,290 --> 00:17:01,090 ONE OF THE OWNERS, JOEY SHULMAN, GAVE US HIS CONTACT ‐‐ 377 00:17:01,130 --> 00:17:02,230 A PAUL CATAPANO. 378 00:17:02,260 --> 00:17:03,860 HE’S HOOKED UP WITH THE GAMBINOS. 379 00:17:03,900 --> 00:17:05,040 LET’S BRING HIM IN, 380 00:17:05,060 --> 00:17:06,360 SEE WHAT HE KNOWS ABOUT DANNY AND PETE. 381 00:17:06,400 --> 00:17:08,110 YOU CAN BE IN ON THE INTERVIEW IF YOU WANT. 382 00:17:08,130 --> 00:17:10,270 YOU DON’T GO NEAR PAUL CATAPANO 383 00:17:10,300 --> 00:17:13,070 OR JOEY SHULMAN OR ANY OF THEIR ASSOCIATES. 384 00:17:13,100 --> 00:17:15,600 NOBODY, NOT UNTIL WE GET OUR INDICTMENTS. 385 00:17:15,640 --> 00:17:17,040 WHEN IS THIS GOING TO HAPPEN? 386 00:17:17,080 --> 00:17:18,950 WE GOT WITNESSES GOING BEFORE A GRAND JURY 387 00:17:18,980 --> 00:17:20,890 NEXT COUPLE DAYS. COUPLE OF DAYS? 388 00:17:20,910 --> 00:17:23,240 LOOK, WE GOT TWO GUYS MIGHT BE IN A BIND HERE, 389 00:17:23,280 --> 00:17:25,280 SO HOW ABOUT REWORKING THE TO‐DO LIST? 390 00:17:25,320 --> 00:17:27,060 BELIEVE ME, I’D LIKE NOTHING BETTER 391 00:17:27,090 --> 00:17:28,760 THAN TO HAUL CATAPANO IN RIGHT NOW 392 00:17:28,790 --> 00:17:31,160 AND PUT THE SCREWS TO HIM, BUT ORDERS ARE IN NO WAY 393 00:17:31,190 --> 00:17:34,120 IS ANYBODY TO COMPROMISE THE INTEGRITY OF THE OPERATION. 394 00:17:34,160 --> 00:17:35,560 WE GOT TWO COPS MISSING 395 00:17:35,590 --> 00:17:37,630 AND HIS BOSSES ARE PLAYING SCRABBLE. 396 00:17:37,660 --> 00:17:39,430 IS THAT IT? 397 00:17:39,460 --> 00:17:41,960 YEAH. I GET ANY INFORMATION ON SORENSON, 398 00:17:42,000 --> 00:17:43,230 I’LL BE IN CONTACT. 399 00:17:43,270 --> 00:17:44,680 YEAH, WHENEVER YOU GET TO IT. 400 00:17:49,510 --> 00:17:52,050 ALL RIGHT, NOW HERE’S WHAT WE CAN DO. 401 00:17:55,450 --> 00:17:58,260 I DON’T KNOW WHAT WE CAN DO. 402 00:17:58,280 --> 00:18:01,580 LOOK, DANNY PUT A CALL IN TO HIS AUNT TWO NIGHTS AGO. 403 00:18:01,620 --> 00:18:03,080 THAT’S WHO RAISED HIM. 404 00:18:03,120 --> 00:18:04,590 BUT FROM WHAT I CAN GATHER, 405 00:18:04,620 --> 00:18:06,120 THEY HADN’T TALKED FOR A WHILE. 406 00:18:06,160 --> 00:18:08,600 WE’LL HEAD OVER THERE AND SEE IF SHE CAN GIVE US ANYTHING. 407 00:18:08,630 --> 00:18:10,100 WHERE IS SHE? STATEN ISLAND. 408 00:18:10,130 --> 00:18:12,290 IT’S EITHER THAT OR HEAD BACK DOWN TO TAILFEATHERS, 409 00:18:12,330 --> 00:18:14,500 ’CAUSE I AM NOT GOING TO SIT AROUND HERE DOING NOTHING 410 00:18:14,530 --> 00:18:15,600 WHILE DANNY’S... 411 00:18:15,630 --> 00:18:18,470 HIT IT AND KEEP IN CONTACT. 412 00:18:25,140 --> 00:18:26,840 ANYTHING? NO. 413 00:18:28,480 --> 00:18:30,450 WHAT DO YOU GOT ON YOUR CASE? 414 00:18:30,480 --> 00:18:32,650 GOT A SECOND VICTIM AT BELLEVUE, CRAIG MILLER, 415 00:18:32,680 --> 00:18:34,980 TELLS US HE OPENED THE DOOR FOR A GUY NAMED DAMON. 416 00:18:35,020 --> 00:18:35,980 DAMON’S THE SHOOTER. 417 00:18:36,020 --> 00:18:37,950 DAMON GOT A LAST NAME? MILLER. 418 00:18:37,990 --> 00:18:41,320 SAME LAST NAME AS THE VICTIM? 419 00:18:41,360 --> 00:18:42,720 NO. WHAT’D I SAY? 420 00:18:42,760 --> 00:18:43,960 YOU SAID MILLER. 421 00:18:44,000 --> 00:18:46,170 NO, NO, IT’S HARVEY. DAMON HARVEY. 422 00:18:46,200 --> 00:18:48,070 GOT IT FROM THE D. O. A.’s PHONE BOOK. 423 00:18:48,100 --> 00:18:50,470 YEAH, DAMON HAD A COUPLE OF POSSESSION COLLARS, 424 00:18:50,500 --> 00:18:52,470 AND WE RAN A PHOTO ARRAY FOR CRAIG AT BELLEVUE 425 00:18:52,500 --> 00:18:54,470 AND HE PICKED HIM OUT RIGHT AWAY. 426 00:18:54,510 --> 00:18:56,350 WE JUST PUT DAMON IN THE POKEY. 427 00:18:56,370 --> 00:18:58,470 NEIGHBORS SAID THAT DAMON WORKED FOR CYRUS 428 00:18:58,510 --> 00:19:00,640 FOR A YEAR OR SO, LIVING THERE ON AND OFF. 429 00:19:00,680 --> 00:19:02,580 LOVE TRIANGLE? SOMETHING WAS GOING ON. 430 00:19:02,610 --> 00:19:04,150 ALL RIGHT, LET ME KNOW. 431 00:19:04,180 --> 00:19:06,480 ANYTHING WE CAN BE DOING FOR DANNY? 432 00:19:06,520 --> 00:19:09,330 WHAT I NEED FOR YOU GUYS TO DO IS RUN THIS CASE 433 00:19:09,350 --> 00:19:12,190 SO I KNOW AT LEAST ONE THING’S GOING RIGHT TODAY. OKAY? 434 00:19:12,220 --> 00:19:14,790 GOT IT. 435 00:19:18,730 --> 00:19:21,260 GET ME THE PHONE NUMBERS FOR EVERY MORGUE 436 00:19:21,300 --> 00:19:22,700 IN THE TRI‐STATE AREA. 437 00:19:48,630 --> 00:19:51,040 I’D JUST LIKE TO KNOW WHAT I’VE BEEN HANDCUFFED 438 00:19:51,060 --> 00:19:52,530 AND DRAGGED OUT OF MY APARTMENT 439 00:19:52,560 --> 00:19:53,530 AND PUSHED AROUND FOR. 440 00:19:53,570 --> 00:19:54,740 NOTHING COMES TO MIND, HUH? 441 00:19:54,770 --> 00:19:56,740 NO. HOW YOU KNOW CYRUS? 442 00:19:56,770 --> 00:19:58,700 CYRUS MORRISON? 443 00:19:58,740 --> 00:20:02,410 NO, CYRUS SCHWARTZ. YEAH, CYRUS MORRISON. 444 00:20:02,440 --> 00:20:04,740 I WORKED FOR HIM FOR A WHILE. 445 00:20:04,780 --> 00:20:05,920 DOING WHAT? 446 00:20:05,940 --> 00:20:07,040 ASSISTANT WORK. 447 00:20:07,080 --> 00:20:08,280 WHAT’S THAT MEAN? 448 00:20:08,310 --> 00:20:10,280 I ASSISTED, HELPED OUT. 449 00:20:10,310 --> 00:20:12,710 DID YOU LIVE AT HIS APARTMENT? 450 00:20:12,750 --> 00:20:13,980 BRIEFLY. 451 00:20:14,020 --> 00:20:15,280 WHY’D YOU STOP WORKING FOR HIM? 452 00:20:15,320 --> 00:20:17,050 IT WAS TIME TO MOVE ON. 453 00:20:17,090 --> 00:20:18,550 WHAT, YOU’D GET THE LOAD FOR HIM, 454 00:20:18,590 --> 00:20:20,790 SO HE GOT A NEW HOUSEBOY? IS THAT WHAT WENT WRONG? 455 00:20:20,830 --> 00:20:23,070 NO, IT WAS MUTUAL DECISION FOR ME TO LEAVE. 456 00:20:23,090 --> 00:20:24,890 IT’S FUNNY HOW YOU’RE NOT THE LEAST BIT CURIOUS 457 00:20:24,930 --> 00:20:27,300 WHY WE’RE ASKING ALL THESE QUESTIONS ABOUT CYRUS. 458 00:20:27,330 --> 00:20:29,830 WELL, MAYBE I HAVEN’T ASKED, BUT I’VE BEEN WONDERING. 459 00:20:29,870 --> 00:20:30,830 MM‐HMM. 460 00:20:30,870 --> 00:20:32,630 DID SOMETHING HAPPEN TO HIM? 461 00:20:32,670 --> 00:20:35,070 YEAH, YOU BLEW A HOLE IN HIS HEAD. 462 00:20:35,110 --> 00:20:36,820 WHAT? NO. 463 00:20:36,840 --> 00:20:38,970 THE GUY CUTTING CYRUS’ HAIR ‐‐ 464 00:20:39,010 --> 00:20:40,910 THE GUY YOU SHOT IN THE BACK OF THE HEAD AND LEFT FOR DEAD ‐‐ 465 00:20:40,950 --> 00:20:43,860 A LITTLE UPDATE FOR YOU, DAMON. HE LIVED. 466 00:20:43,880 --> 00:20:46,480 AND WE GOT OTHER WITNESSES PUT YOU IN AND OUT 467 00:20:46,520 --> 00:20:48,330 OF THAT APARTMENT THIS MORNING AT THE TIME OF THE SHOOTING. 468 00:20:48,350 --> 00:20:50,590 I WAS NOWHERE NEAR CYRUS’ APARTMENT THIS MORNING. 469 00:20:50,620 --> 00:20:51,920 WHERE WERE YOU? 470 00:20:51,960 --> 00:20:54,000 I WOKE UP AND DID MY EXERCISES. 471 00:20:54,030 --> 00:20:55,700 THEN I WENT NEXT DOOR TO MY CHURCH 472 00:20:55,730 --> 00:20:56,700 AND HAD BREAKFAST. 473 00:20:56,730 --> 00:20:58,260 YOU WERE AT CHURCH? 474 00:20:58,300 --> 00:21:00,870 I WAS AT BREAKFAST AT THE CHURCH. 475 00:21:00,900 --> 00:21:02,760 DEACON MILES AND HIS WIFE 476 00:21:02,800 --> 00:21:05,100 HAVE A PANCAKE BREAKFAST THERE EVERY MORNING. 477 00:21:05,140 --> 00:21:06,780 ASK THEM, AND THEY’LL TELL YOU. 478 00:21:06,810 --> 00:21:08,780 WHAT TIME YOU GET THERE? 479 00:21:08,810 --> 00:21:10,120 8:00. 480 00:21:10,140 --> 00:21:13,710 NOW, DAMON, THIS MIGHT BE A LOT TO ASK FOR A HOUSEBOY, 481 00:21:13,750 --> 00:21:17,020 BUT FOR ONCE IN YOUR LIFE, STAND UP AND BE A MAN. 482 00:21:17,050 --> 00:21:18,850 NOW, WE GOT YOU LOCKED IN ON THIS CRIME. 483 00:21:18,880 --> 00:21:20,980 SAYING YOU DIDN’T DO IT IS GOING TO ADD ON YEARS OF PRISON. 484 00:21:21,020 --> 00:21:23,690 I WOKE UP AND WENT TO THE PANCAKE BREAKFAST. 485 00:21:23,720 --> 00:21:25,320 DEACON MILES AND HIS WIFE ‐‐ 486 00:21:28,030 --> 00:21:29,200 MOVE IT! 487 00:21:49,210 --> 00:21:51,710 HAS SOMETHING HAPPENED TO DANNY? 488 00:21:51,750 --> 00:21:54,250 NO. IT’S JUST NOT LIKE DANNY TO MISS WORK 489 00:21:54,290 --> 00:21:55,330 WITHOUT CALLING IN. 490 00:21:55,350 --> 00:21:56,820 WE’RE SURE HE’S FINE. 491 00:21:56,860 --> 00:21:59,260 THERE’S SOME PERSONAL STUFF HE WAS WORKING OUT. 492 00:21:59,290 --> 00:22:00,560 LIKE WHAT? 493 00:22:00,590 --> 00:22:01,820 RELATIONSHIP STUFF, 494 00:22:01,860 --> 00:22:04,390 BUT WE SAW THAT HE CALLED YOU LAST NIGHT, 495 00:22:04,430 --> 00:22:07,000 AND WE WERE JUST WONDERING IF HE GAVE YOU ANY INDICATION 496 00:22:07,030 --> 00:22:10,170 AS TO WHAT WAS ON HIS MIND, PLANS HE MAY HAVE HAD. 497 00:22:10,200 --> 00:22:11,930 WELL, I WAS SURPRISED THAT HE CALLED 498 00:22:11,970 --> 00:22:14,200 ’CAUSE I HAVEN’T HEARD FROM HIM IN A LONG TIME. 499 00:22:14,240 --> 00:22:16,540 I WOULD CALL HIM, AND THEN HE WOULDN’T CALL BACK. 500 00:22:16,580 --> 00:22:18,850 WHAT WAS THE OTHER NIGHT’S CONVERSATION ABOUT? 501 00:22:18,880 --> 00:22:21,190 HE WANTED HIS MOTHER’S PHONE NUMBER 502 00:22:21,210 --> 00:22:22,510 BACK THERE IN NORWAY. 503 00:22:22,550 --> 00:22:23,760 UH, I DON’T KNOW 504 00:22:23,780 --> 00:22:25,550 IF HE TOLD YOU ABOUT ALL THAT. 505 00:22:25,580 --> 00:22:27,050 YOU RAISED HIM. 506 00:22:27,090 --> 00:22:29,560 HE HADN’T SEEN HIS MOM SINCE HE WAS A KID. 507 00:22:29,590 --> 00:22:31,020 RIGHT. 508 00:22:31,060 --> 00:22:32,530 THEY HADN’T TALKED, EITHER ‐‐ DANNY AND HIS MOM? 509 00:22:32,560 --> 00:22:34,700 NO. MY SISTER ANNA THOUGHT IT WAS BEST 510 00:22:34,730 --> 00:22:36,230 THAT THERE BE NO CONTACT. 511 00:22:36,260 --> 00:22:38,360 SHE THOUGHT IT WOULD BE TOO HARD 512 00:22:38,400 --> 00:22:39,870 ON DANNY AND HIS SISTERS, 513 00:22:39,900 --> 00:22:42,130 AND THE STORY SHE MADE ME GIVE THEM 514 00:22:42,170 --> 00:22:43,710 WAS THAT SHE’D PASSED AWAY. 515 00:22:43,740 --> 00:22:48,210 IT SOUNDS SO RIDICULOUS NOW. IT SOUNDS SO TERRIBLE. 516 00:22:48,240 --> 00:22:50,610 AND WHEN DANNY FOUND OUT THAT IT WASN’T TRUE, 517 00:22:50,640 --> 00:22:52,970 THEN HE BLAMED ME, AND THAT WAS WHAT CAUSED 518 00:22:53,010 --> 00:22:54,540 THE BIG RIFT BETWEEN US, 519 00:22:54,580 --> 00:22:57,210 AND THAT WAS WHY HE STOPPED TALKING TO ME. 520 00:22:57,250 --> 00:22:59,880 DON’T ASK ME TO EXPLAIN HOW A MOTHER 521 00:22:59,920 --> 00:23:01,750 COULD LET HER CHILDREN GO, BUT SHE DID. 522 00:23:01,790 --> 00:23:02,960 I’M SURE SHE REGRETTED IT. 523 00:23:02,990 --> 00:23:06,330 OH, YES, SHE DID, BUT IT WAS A LITTLE LATE. 524 00:23:06,360 --> 00:23:08,470 ANNA CAME TO NEW YORK THREE MONTHS AGO 525 00:23:08,490 --> 00:23:09,730 TO TRY TO MAKE AMENDS, 526 00:23:09,760 --> 00:23:11,590 TO GIVE HER VERSION OF IT, 527 00:23:11,630 --> 00:23:13,600 AND DANNY’S SISTERS BEGGED HIM 528 00:23:13,630 --> 00:23:16,600 TO GO OVER AND SEE HER WITH THEM, BUT HE WOULDN’T. 529 00:23:16,640 --> 00:23:17,840 SO THE OTHER NIGHT, 530 00:23:17,870 --> 00:23:19,940 DID HE SOUND LIKE HE WAS READY TO TALK TO HER? 531 00:23:19,970 --> 00:23:21,740 HE ASKED FOR HER NUMBER. 532 00:23:21,770 --> 00:23:24,240 I FIGURED HE WAS CALLING ME AT 2:00 A. M. 533 00:23:24,280 --> 00:23:26,920 BECAUSE OF THE TIME DIFFERENCE OVER THERE. 534 00:23:26,950 --> 00:23:29,590 HE SEEMED ALL RIGHT OTHER THAN THAT? 535 00:23:29,610 --> 00:23:31,950 AT THE END OF OUR CONVERSATION, 536 00:23:31,980 --> 00:23:34,080 HE TOLD ME THAT HE LOVED ME 537 00:23:34,120 --> 00:23:35,750 AND THAT HE WAS SORRY, 538 00:23:35,790 --> 00:23:38,030 AND I TOLD HIM THE SAME THING. 539 00:23:38,060 --> 00:23:41,030 THAT’S THE FIRST TIME HE EVER TOLD ME THAT ‐‐ 540 00:23:41,060 --> 00:23:42,590 THAT HE LOVED ME. 541 00:23:42,630 --> 00:23:44,600 [ TEAKETTLE WHISTLING ] 542 00:23:44,630 --> 00:23:46,030 OH, EXCUSE ME. 543 00:23:51,670 --> 00:23:55,040 DID YOU KNOW ABOUT HIS MOM COMING OUT HERE? 544 00:23:55,070 --> 00:23:56,870 NO. THREE MONTHS AGO ‐‐ 545 00:23:56,910 --> 00:24:00,340 THAT’S WHEN HE WAS DOING EVERYTHING HE COULD 546 00:24:00,380 --> 00:24:01,980 TO HOLD ON TO DIANE. 547 00:24:02,010 --> 00:24:03,480 AH, THIS POOR KID. 548 00:24:22,000 --> 00:24:23,630 EXCUSE ME. MAY I HELP YOU? 549 00:24:23,670 --> 00:24:24,800 BOOKER MILES? 550 00:24:24,840 --> 00:24:26,650 YES. DETECTIVE JONES AND MEDAVOY. 551 00:24:26,670 --> 00:24:28,170 IS THERE A PROBLEM? 552 00:24:28,210 --> 00:24:29,480 UH, DO YOU HAVE 553 00:24:29,510 --> 00:24:32,420 A PANCAKE BREAKFAST HERE EACH MORNING? 554 00:24:32,440 --> 00:24:34,740 YES. SOMEBODY WANT THEIR $3 BACK? 555 00:24:34,780 --> 00:24:36,140 UH, NO, SIR. 556 00:24:36,180 --> 00:24:37,980 YOU KNOW A DAMON HARVEY? 557 00:24:38,020 --> 00:24:40,090 SURE, I KNOW DAMON. HE LIVES TWO BUILDINGS DOWN. 558 00:24:40,120 --> 00:24:41,720 WHEN WAS THE LAST TIME YOU SAW HIM? 559 00:24:41,750 --> 00:24:43,180 THIS MORNING AT BREAKFAST. 560 00:24:43,220 --> 00:24:44,750 YOU SURE IT WAS THIS MORNING? 561 00:24:44,790 --> 00:24:46,020 I’M SURE. 562 00:24:46,060 --> 00:24:48,330 WHAT TIME DID YOU SEE HIM? 563 00:24:48,360 --> 00:24:52,330 WELL, I OPENED UP. I COLLECTED THE DONATIONS. 564 00:24:52,360 --> 00:24:54,200 UM, HE WASN’T THERE. 565 00:24:54,230 --> 00:24:55,760 MY WIFE TOOK OVER AT THE DOOR, 566 00:24:55,800 --> 00:24:58,230 SO I GUESS IT WAS WHEN I WAS HELPING SERVE BREAKFAST. 567 00:24:58,270 --> 00:25:00,000 DID SOMETHING HAPPEN TO DAMON? 568 00:25:00,040 --> 00:25:02,340 WHAT TIME WAS THAT THAT YOU SAW HIM? 569 00:25:02,370 --> 00:25:05,770 8:30, BUT HE MIGHT HAVE BEEN HERE EARLIER. 570 00:25:05,810 --> 00:25:08,440 WHY DON’T YOU TELL ME WHAT’S GOING ON WITH DAMON? 571 00:25:08,480 --> 00:25:10,450 UH, THERE’S A POLICE INVESTIGATION. 572 00:25:10,480 --> 00:25:12,610 INVOLVING DAMON? ARE YOU SURE? 573 00:25:12,650 --> 00:25:14,180 YEAH, WE’RE SURE. 574 00:25:14,220 --> 00:25:16,520 LOOK, THANKS FOR YOUR TIME. THAT’S ALL WE NEED. 575 00:25:16,560 --> 00:25:18,400 DO YOU HAVE A CARD? 576 00:25:21,160 --> 00:25:23,690 ’CAUSE DAMON ‐‐ I KNOW DAMON. 577 00:25:23,730 --> 00:25:25,190 DAMON’S A FINE YOUNG MAN. 578 00:25:25,230 --> 00:25:26,630 GREAT. 579 00:25:26,670 --> 00:25:28,210 HE’S VOLUNTEERED FOR NUMEROUS ACTIVITIES AND EVENTS 580 00:25:28,230 --> 00:25:30,200 THAT WE’VE ORGANIZED THROUGH THE CHURCH. 581 00:25:30,230 --> 00:25:32,970 YEAH, WELL, YOU KNOW, I DON’T KNOW WHAT TO TELL YOU. 582 00:25:36,170 --> 00:25:37,370 HEY, IT’S A MAN OF THE CLOTH. 583 00:25:37,410 --> 00:25:38,540 YOU MIGHT WANT TO, YOU KNOW ‐‐ 584 00:25:38,580 --> 00:25:40,520 I DON’T HAVE THE TIME RIGHT NOW. 585 00:25:54,290 --> 00:25:57,460 STILL NOTHING. 586 00:25:57,500 --> 00:26:00,740 WHAT WAS THAT CALL IN TO THE AUNT ALL ABOUT? 587 00:26:00,770 --> 00:26:01,810 FAMILY STUFF. 588 00:26:01,830 --> 00:26:02,900 IS THAT ALL I GET? 589 00:26:02,930 --> 00:26:04,070 THAT’S ALL THERE IS. 590 00:26:04,100 --> 00:26:05,500 HE WAS FACING UP TO SOME ISSUES 591 00:26:05,540 --> 00:26:06,910 THAT WERE OVERDUE, 592 00:26:06,940 --> 00:26:09,810 BUT AT LEAST THAT SHOWS THAT MAYBE HIM BEING GONE 593 00:26:09,840 --> 00:26:11,070 ISN’T RELATED TO... 594 00:26:11,110 --> 00:26:12,610 [ TELEPHONE RINGS ] 595 00:26:12,640 --> 00:26:14,180 I DON’T KNOW. 596 00:26:14,210 --> 00:26:16,180 15th SQUAD. 597 00:26:16,210 --> 00:26:17,750 NOTHING. WE DIDN’T GET NOTHING. 598 00:26:17,780 --> 00:26:19,450 IT’S FOR YOU. 599 00:26:19,480 --> 00:26:20,750 SIPOWICZ. 600 00:26:20,790 --> 00:26:23,130 UH, YEAH. 601 00:26:23,150 --> 00:26:24,790 WHEN? 602 00:26:24,820 --> 00:26:26,620 WHAT’S THE CROSS STREET? 603 00:26:26,660 --> 00:26:29,630 GOT IT. CREDIT CARD HIT. 604 00:26:29,660 --> 00:26:31,590 DANNY JUST CHECKED INTO A MOTEL IN JERSEY CITY. 605 00:26:31,630 --> 00:26:32,860 LET’S GO. 606 00:26:32,900 --> 00:26:34,940 HEY, YOU NEED US? 607 00:26:34,970 --> 00:26:37,280 WE GOT IT. 608 00:26:37,300 --> 00:26:39,370 WELL, THAT’S GOOD. THAT’S GOOD. 609 00:26:39,400 --> 00:26:41,600 WHAT’S GOING ON WITH YOUR CASE? 610 00:26:41,640 --> 00:26:43,940 A 911 CALL CAME IN AT 7:55 A. M. 611 00:26:43,980 --> 00:26:46,180 A NEIGHBOR CALLED IT IN, SAID SHE PLACED IT 612 00:26:46,210 --> 00:26:48,110 LIKE 10 SECONDS AFTER SHE HEARD THE SHOTS. 613 00:26:48,150 --> 00:26:51,020 THE EARLIEST DAMON COULD GET BACK TO THE CHURCH BREAKFAST 614 00:26:51,050 --> 00:26:52,650 WITH NORMAL TRAFFIC IS 8:15. 615 00:26:52,680 --> 00:26:53,950 WE TALKED TO THE DEACON. 616 00:26:53,990 --> 00:26:55,790 FIRST TIME HE SAW DAMON WAS 8:30. 617 00:26:55,820 --> 00:26:56,990 WHAT’S THIS? 618 00:26:57,020 --> 00:26:58,990 WE WENT BACK TO THE CRIME SCENE. 619 00:26:59,020 --> 00:27:01,960 STASHED IN A BOX IN THE CLOSET WAS A STACK OF PORN, 620 00:27:01,990 --> 00:27:05,360 INCLUDING SOME PHOTOS OF DAMON AND THE D.O.A...FROLICKING. 621 00:27:07,000 --> 00:27:10,030 GET WITH THE D. A.’s OFFICE. 622 00:27:11,370 --> 00:27:12,830 MAY I HELP YOU? 623 00:27:12,870 --> 00:27:15,570 UH, DETECTIVE JONES, PLEASE. 624 00:27:16,710 --> 00:27:18,240 YEAH. RIGHT HERE. 625 00:27:18,280 --> 00:27:20,090 I’M FRANCINE MILES. 626 00:27:20,110 --> 00:27:21,140 THE DEACON’S WIFE. 627 00:27:21,180 --> 00:27:22,410 THAT’S RIGHT. YOU ARE? 628 00:27:22,450 --> 00:27:23,660 DETECTIVE GREG MEDAVOY. 629 00:27:23,680 --> 00:27:24,650 AND YOU? 630 00:27:24,680 --> 00:27:26,050 LIEUTENANT RODRIGUEZ. 631 00:27:26,080 --> 00:27:29,020 I UNDERSTAND YOU HAVE DAMON HARVEY IN CUSTODY. 632 00:27:29,050 --> 00:27:30,720 THAT’S RIGHT. 633 00:27:30,760 --> 00:27:32,830 MY HUSBAND SAID SOMETHING ABOUT NOT SEEING DAMON 634 00:27:32,860 --> 00:27:34,430 AT OUR PANCAKE BREAKFAST UNTIL 8:30? 635 00:27:34,460 --> 00:27:36,020 THAT’S WHAT HE TOLD US. 636 00:27:36,060 --> 00:27:38,330 WELL, I WAS AT THE DOOR AS WELL, 637 00:27:38,360 --> 00:27:40,000 AND I SAW DAMON AT 8:00. 638 00:27:40,030 --> 00:27:42,530 THAT’S NOT ACTUALLY POSSIBLE, MA’AM. 639 00:27:42,570 --> 00:27:43,910 I’M TELLING YOU, 640 00:27:43,940 --> 00:27:47,510 DAMON WAS AT THE FRONT DOOR OF THE CHURCH AT 8:00 A. M. 641 00:27:47,540 --> 00:27:49,870 DAMON IS A MODEL YOUNG MAN. 642 00:27:49,910 --> 00:27:51,540 THERE’S NO WAY HE’D BE INVOLVED IN A CRIME. 643 00:27:51,580 --> 00:27:54,090 THIS ISN’T ABOUT WHAT YOU WANT TO BELIEVE ABOUT DAMON. 644 00:27:54,110 --> 00:27:56,410 DAMON WAS THERE AT 8:00 A. M. 645 00:27:56,450 --> 00:27:57,760 Greg: ON THE DOT? 646 00:27:57,780 --> 00:27:58,910 THAT’S RIGHT. 647 00:27:58,950 --> 00:28:00,450 LISTEN, IF THIS HAS ANYTHING TO DO 648 00:28:00,480 --> 00:28:02,350 WITH ME BEING SHORT WITH YOUR HUSBAND EARLIER, 649 00:28:02,390 --> 00:28:03,460 THEN, HEY, I APOLOGIZE. 650 00:28:03,490 --> 00:28:04,960 I DON’T KNOW ANYTHING ABOUT THAT. 651 00:28:04,990 --> 00:28:06,690 DAMON’S BEING CHARGED WITH MURDER. 652 00:28:06,730 --> 00:28:07,900 MURDER? 653 00:28:07,930 --> 00:28:09,870 YEAH, AND HE’S BEING CHARGED WITH IT 654 00:28:09,890 --> 00:28:11,590 BECAUSE DAMON’S THE GUY WHO DID IT. 655 00:28:11,630 --> 00:28:12,960 NOW, YOU REALLY NEED TO THINK ABOUT 656 00:28:13,000 --> 00:28:14,440 WHEN YOU SAW HIM. 657 00:28:14,470 --> 00:28:18,940 I SAW DAMON AT 8:00 A. M., AND I WANT TO TALK TO HIM. 658 00:28:18,970 --> 00:28:20,200 IT’S GOING TO BE A LITTLE WHILE 659 00:28:20,240 --> 00:28:22,200 BEFORE YOU CAN SEE HIM, MA’AM. 660 00:28:22,240 --> 00:28:24,110 I WANT TO SEE DAMON NOW IN PRIVATE, 661 00:28:24,140 --> 00:28:26,710 OR I START MAKING PHONE CALLS. 662 00:28:26,750 --> 00:28:28,550 YOU CAN HAVE FIVE MINUTES, 663 00:28:28,580 --> 00:28:30,550 BUT WE’RE IN THE ROOM. 664 00:28:30,580 --> 00:28:32,310 FINE. 665 00:28:55,040 --> 00:28:56,300 RIGHT HERE. 666 00:28:58,040 --> 00:29:00,340 DANNY! 667 00:29:00,380 --> 00:29:01,840 DANNY, OPEN UP! 668 00:29:01,880 --> 00:29:03,080 SURE THIS IS THE ROOM? 669 00:29:03,110 --> 00:29:04,250 THAT’S WHAT IT SAYS. 670 00:29:04,280 --> 00:29:05,780 HOW LONG AGO HE CHECK IN? 671 00:29:05,820 --> 00:29:07,530 I DON’T KNOW. I WAS AT LUNCH. 672 00:29:07,550 --> 00:29:10,350 DANNY! OPEN THIS THING UP. 673 00:29:12,560 --> 00:29:13,700 CHAIN’S UP. 674 00:29:16,190 --> 00:29:17,330 Woman: AAH! 675 00:29:17,360 --> 00:29:18,590 DON’T SHOOT! DON’T SHOOT! 676 00:29:18,630 --> 00:29:20,530 WHO THE HELL ARE YOU TWO? 677 00:29:20,570 --> 00:29:22,440 JAVIER DELGADO, SIR. 678 00:29:22,470 --> 00:29:23,680 OH, MY GOD. 679 00:29:23,700 --> 00:29:25,270 HOW’D YOU GET THE CREDIT CARD YOU USED 680 00:29:25,300 --> 00:29:28,000 TO GET THIS ROOM, HUH? AND DON’T YOU LIE TO ME. 681 00:29:28,040 --> 00:29:29,500 Woman: OH, MY GOD. SIT DOWN. 682 00:29:29,540 --> 00:29:31,010 FOUND IT, SIR, LAST NIGHT AT MY JOB 683 00:29:31,040 --> 00:29:32,540 WHERE’S YOUR JOB? 684 00:29:32,580 --> 00:29:34,720 I’M A BUSBOY AT TAILFEATHERS STRIP CLUB. 685 00:29:34,750 --> 00:29:36,790 I WAS JUST SWEEPING AROUND, AND I FOUND IT. 686 00:29:36,820 --> 00:29:39,630 ALL RIGHT, GET DRESSED. YOU’RE GOING FOR A RIDE, 687 00:29:39,650 --> 00:29:41,450 AND YOU, HONEY, GET BACK TO...WHATEVER. 688 00:29:41,490 --> 00:29:43,730 AT LEAST WE DIDN’T FIND HIM SWINGING FROM THE SHOWER ROD. 689 00:29:43,760 --> 00:29:44,930 YEAH. HURRY UP! 690 00:30:03,010 --> 00:30:05,320 THE SHOOTING VICTIM AT BELLEVUE 691 00:30:05,340 --> 00:30:07,240 PICKED OUR SUSPECT OUT OF A PHOTO ARRAY, 692 00:30:07,280 --> 00:30:09,310 THEN OUT OF A LINEUP WE DID AT THE HOSPITAL. 693 00:30:09,350 --> 00:30:11,320 NEIGHBORS CONFIRMED HE USED TO LIVE THERE, 694 00:30:11,350 --> 00:30:12,350 WORKED FOR THE D. O. A. 695 00:30:12,380 --> 00:30:14,250 THAT IS, YOU CAN TELL BY THE PHOTOS 696 00:30:14,290 --> 00:30:16,230 THEY HAD A...RELATIONSHIP. 697 00:30:16,250 --> 00:30:19,860 BUT THE DEACON’S WIFE SAID SHE SAW HIM AT 8:00, 698 00:30:19,890 --> 00:30:21,320 WHICH NEGATES THE TIMELINE. 699 00:30:21,360 --> 00:30:22,920 SHOOTING VICTIM AT BELLEVUE 700 00:30:22,960 --> 00:30:24,560 PICKED HIM OUT OF A LINEUP. 701 00:30:24,600 --> 00:30:27,370 I HEARD YOU, BUT YOU PUT A DEACON’S WIFE ON THE STAND 702 00:30:27,400 --> 00:30:28,660 SAYING SHE SAW HIM, 703 00:30:28,700 --> 00:30:30,670 EVERYBODY’S PUNCHING OUT EARLY THAT DAY. 704 00:30:30,700 --> 00:30:32,730 SO YOU’RE NOT GOING TO WRITE THIS UP? 705 00:30:32,770 --> 00:30:34,200 NOT WITH WHAT YOU’VE GOT. 706 00:30:34,240 --> 00:30:35,900 WE’LL NEED MORE TO OVERCOME 707 00:30:35,940 --> 00:30:37,670 THAT ALIBI’S WITNESS’ CREDIBILITY. 708 00:30:37,710 --> 00:30:39,440 THAT’S A REAL GUTSY ATTITUDE THERE. 709 00:30:39,480 --> 00:30:41,250 HEY, I’M DONE AT 5:00. 710 00:30:41,280 --> 00:30:42,740 YOU WANT TO RUN IT 711 00:30:42,780 --> 00:30:46,180 BY THE RIDING D.A. AFTER I LEAVE, GO AHEAD, 712 00:30:46,220 --> 00:30:48,130 BUT THEY’LL SEE MY NOTES 713 00:30:48,150 --> 00:30:50,290 AND YOU’LL GET THE SAME ANSWER. 714 00:30:50,320 --> 00:30:53,420 ALL RIGHT, GET A STATEMENT FROM THE DEACON’S WIFE 715 00:30:53,460 --> 00:30:54,770 AND KICK DAMON WHILE WE REGROUP. 716 00:30:54,790 --> 00:30:56,520 LET US GO AT HIM AGAIN FIRST. 717 00:30:56,560 --> 00:30:58,690 THE DEACON’S WIFE’S IN THE COFFEE ROOM 718 00:30:58,730 --> 00:30:59,730 ABOUT READY TO FLIP OUT. 719 00:30:59,760 --> 00:31:01,060 WE’LL MAKE IT QUICK. 720 00:31:03,500 --> 00:31:05,900 SORRY. 721 00:31:05,940 --> 00:31:08,780 HEY, YOU GOT TO COVER YOUR ASS LIKE EVERYBODY ELSE. 722 00:31:16,510 --> 00:31:18,280 AREN’T I SUPPOSED TO BE OUT OF HERE BY NOW? 723 00:31:18,320 --> 00:31:20,390 I THINK I AM. 724 00:31:20,420 --> 00:31:21,820 SOMETHING CAME UP. 725 00:31:21,850 --> 00:31:24,950 DOES MRS. MILES KNOW YOU’RE TALKING TO ME? 726 00:31:24,990 --> 00:31:26,220 SHE SURE DOES. 727 00:31:26,260 --> 00:31:28,070 I DON’T THINK SO. I THINK YOU’RE LYING. 728 00:31:28,090 --> 00:31:30,630 WE DIDN’T KNOW YOU AND CYRUS WERE THIS CLOSE. 729 00:31:30,660 --> 00:31:32,390 WHERE’D YOU FIND THOSE? 730 00:31:32,430 --> 00:31:33,900 LOOK, I DON’T WANT HER TO SEE THOSE. 731 00:31:33,930 --> 00:31:35,300 THOSE ARE PRIVATE AND PERSONAL. 732 00:31:35,330 --> 00:31:36,730 YOU SHOW THOSE TO FRANCINE, 733 00:31:36,770 --> 00:31:38,470 AND I WILL SUE YOU. 734 00:31:38,500 --> 00:31:40,500 SHE’S ALREADY SEEN THEM. 735 00:31:40,540 --> 00:31:41,600 WHEN? 736 00:31:41,640 --> 00:31:43,140 RIGHT BEFORE WE CAME IN HERE. 737 00:31:43,170 --> 00:31:44,470 AND WHAT’D SHE SAY? 738 00:31:44,510 --> 00:31:45,640 WHAT DO YOU THINK SHE SAID? 739 00:31:45,680 --> 00:31:47,520 I WANT TO SEE HER. I WANT TO EXPLAIN. 740 00:31:47,550 --> 00:31:48,520 SHE’S GONE. 741 00:31:48,550 --> 00:31:49,920 THAT’S NOT TRUE. 742 00:31:49,950 --> 00:31:52,250 AFTER SEEING THESE PHOTOS, YOU THINK SHE’D STICK AROUND? 743 00:31:52,280 --> 00:31:54,420 WHY’D SHE LEAVE? HOW’D YOU EXPECT HER TO REACT? 744 00:31:54,450 --> 00:31:56,350 I HAVE TO TALK TO HER. 745 00:31:56,390 --> 00:31:59,200 HOW LONG YOU BEEN BANGING HER? 746 00:31:59,220 --> 00:32:00,520 DON’T CALL IT THAT! 747 00:32:00,560 --> 00:32:02,290 IF YOU LOVE HER, THEN TELL US WHAT HAPPENED. 748 00:32:02,330 --> 00:32:03,600 STOP LYING, OR IT ALL GETS OUT 749 00:32:03,630 --> 00:32:04,930 AND EVERYBODY’S LIFE IS RUINED. 750 00:32:04,960 --> 00:32:06,600 IT’S ALREADY RUINED! 751 00:32:06,630 --> 00:32:08,500 SHE TRIED TO COME THROUGH FOR YOU BY BACKING YOUR STORY, 752 00:32:08,530 --> 00:32:10,200 AND IN DOING SO, SHE’S IN A LOT OF TROUBLE 753 00:32:10,230 --> 00:32:11,930 UNLESS YOU PROTECT HER RIGHT NOW. 754 00:32:11,970 --> 00:32:14,100 HOW MANY PEOPLE ARE YOU GOING TO HURT, DAMON ‐‐ 755 00:32:14,140 --> 00:32:16,170 PEOPLE WHO TRIED TO HELP YOU, 756 00:32:16,210 --> 00:32:19,350 LIKE MRS. MILES, LIKE CYRUS? 757 00:32:19,380 --> 00:32:21,450 HE NEVER TRIED TO HELP ME. 758 00:32:21,480 --> 00:32:22,940 HE USED ME. 759 00:32:22,980 --> 00:32:24,450 HE SAID HE’D SHOW THOSE PHOTOS 760 00:32:24,480 --> 00:32:27,020 TO THE DEACON AND MRS. MILES 761 00:32:27,050 --> 00:32:28,320 IF I DIDN’T... 762 00:32:28,350 --> 00:32:31,120 DIDN’T DO MORE THINGS WITH HIM. 763 00:32:31,160 --> 00:32:33,030 AND THAT’S WHY YOU KILLED HIM? 764 00:32:33,060 --> 00:32:34,400 I WARNED HIM. 765 00:32:34,430 --> 00:32:36,300 HE DIDN’T BELIEVE ME. 766 00:32:36,330 --> 00:32:38,200 AND YOU KILLED HIM. 767 00:32:38,230 --> 00:32:40,330 I STOOD UP FOR MYSELF! 768 00:32:43,270 --> 00:32:45,340 PLEASE LET ME TALK TO HER. 769 00:33:10,060 --> 00:33:12,160 LOOKS LIKE A MOB HIT. 770 00:33:12,200 --> 00:33:13,670 THE GUY HAS A LOFT ACROSS THE STREET, 771 00:33:13,700 --> 00:33:15,200 HEARD A SHOT, BUT DIDN’T SEE A THING 772 00:33:15,230 --> 00:33:17,000 BY THE TIME HE GOT TO THE WINDOW. 773 00:33:17,040 --> 00:33:19,680 TYPICAL FED. THIS GUY’S NOT SAYING A THING. 774 00:33:19,700 --> 00:33:20,840 ALL RIGHT, THANKS. 775 00:33:20,870 --> 00:33:21,870 WHAT’S GOING ON? 776 00:33:21,910 --> 00:33:23,210 Boyd: THAT’S PETE McNEIL. 777 00:33:23,240 --> 00:33:24,340 YOUR AGENT? 778 00:33:24,380 --> 00:33:25,450 YEAH, OUR AGENT. 779 00:33:25,480 --> 00:33:26,690 OH, GOD. 780 00:33:26,710 --> 00:33:28,340 HEARD ANYTHING FROM SORENSON? 781 00:33:28,380 --> 00:33:30,410 NO, WE’RE STILL LOOKING. 782 00:33:30,450 --> 00:33:32,250 SO, UH, WHAT DO YOU GOT ON THIS? 783 00:33:32,280 --> 00:33:34,850 HE MUST HAVE KNOWN THE GUY. HE WAS SHOT ONCE IN THE HEAD 784 00:33:34,890 --> 00:33:37,400 FROM THE PASSENGER’S SIDE, AND WE GOT WHAT WE THINK 785 00:33:37,420 --> 00:33:38,850 IS CONFIRMATION OF THIS HIT FROM A PHONE TAP. 786 00:33:38,890 --> 00:33:41,590 BUT OF COURSE WE STILL CAN’T DO NOTHING PRODUCTIVE, 787 00:33:41,630 --> 00:33:42,730 LIKE BRING IN CATAPANO 788 00:33:42,760 --> 00:33:44,530 AND SEE WHAT HE KNOWS ABOUT DANNY 789 00:33:44,560 --> 00:33:46,430 UNTIL YOUR BOSSES GET THEIR DAMN INDICTMENTS, RIGHT? 790 00:33:46,460 --> 00:33:47,960 BETWEEN LISTENING DEVICES AND PHONE TAPS 791 00:33:48,000 --> 00:33:49,870 WE GOT 65 WIRES UP, 792 00:33:49,900 --> 00:33:51,630 AND THERE’S NO MENTION MADE OF A HIT ON SORENSON. 793 00:33:51,670 --> 00:33:54,070 JUST A COUPLE CONVERSATIONS ABOUT HOW HE MIGHT BE RECEPTIVE. 794 00:33:54,110 --> 00:33:55,910 YEAH, THAT’S WHAT HE WAS PUTTING OUT THERE 795 00:33:55,940 --> 00:33:58,270 ’CAUSE HE WAS DOING UNDERCOVER WORK LIKE WE SAID EARLIER. 796 00:33:58,310 --> 00:34:00,110 ONE OF THE STRIPPERS WHO WORKED AT THE CLUB 797 00:34:00,140 --> 00:34:01,210 TURNED UP D.O.A. IN SORENSON’S APARTMENT. 798 00:34:01,250 --> 00:34:02,650 YEAH, WE KNOW. 799 00:34:02,680 --> 00:34:04,810 WELL, IT BRINGS UP A SCENARIO. ANY CHANCE YOU FEEL SORENSON 800 00:34:04,850 --> 00:34:06,050 MAY HAVE BEEN WORKING BOTH SIDES 801 00:34:06,080 --> 00:34:07,380 AND HE FELL IN WITH CATAPANO? 802 00:34:07,420 --> 00:34:10,420 NO. ’CAUSE THIS IS LOOKING A LITTLE STRANGE. 803 00:34:10,450 --> 00:34:13,050 IF YOU’RE THINKING ABOUT ASKING THAT QUESTION AGAIN, DON’T. 804 00:34:13,090 --> 00:34:15,490 I’LL LET THE BOSS KNOW WHAT’S GOING ON. 805 00:34:22,200 --> 00:34:23,900 YOU GUYS WERE FRIENDS? 806 00:34:23,940 --> 00:34:27,950 YEAH. THIS ONE HURTS. 807 00:34:43,660 --> 00:34:45,130 NOTHING FROM DETECTIVE SORENSON, 808 00:34:45,160 --> 00:34:46,700 BUT THEY GOT A FINGERPRINT HIT 809 00:34:46,730 --> 00:34:48,300 FROM HIS APARTMENT. 810 00:34:51,300 --> 00:34:53,940 WHAT’S WITH THIS FINGERPRINT? 811 00:34:53,970 --> 00:34:56,170 UH, NAME ROB LACORY RING A BELL? 812 00:34:56,200 --> 00:34:57,370 NO. 813 00:34:57,400 --> 00:35:00,140 THOSE DETECTIVES FROM THE 94 CALLED CRIME SCENE, 814 00:35:00,170 --> 00:35:03,440 LIFTED A PRINT OFF THE COUNTER IN DANNY’S KITCHEN. 815 00:35:03,470 --> 00:35:06,940 LATENT JUST GOT A HIT ON IT. CAME BACK TO A ROB LACORY. 816 00:35:06,980 --> 00:35:08,280 THEY WANT TO KNOW IF HE HAD LEGITIMATE ACCESS. 817 00:35:08,310 --> 00:35:10,110 NEVER HEARD OF HIM. 818 00:35:10,150 --> 00:35:11,780 YOU GOT A RECORD, OR ARE WE GOING THROUGH THE DMV? 819 00:35:11,820 --> 00:35:13,490 HE GOT POPPED FOR AGGRAVATED HARASSMENT 820 00:35:13,520 --> 00:35:14,560 A COUPLE OF YEARS BACK. 821 00:35:14,590 --> 00:35:15,560 DO WE HAVE HIS PHOTO? 822 00:35:15,590 --> 00:35:16,800 I’M PULLING IT UP. 823 00:35:16,820 --> 00:35:18,490 HOW LONG’S THAT GOING TO TAKE? 824 00:35:18,520 --> 00:35:20,290 RIGHT HERE. 825 00:35:20,320 --> 00:35:22,120 WAIT. THAT’S THE GUY. THAT’S THE GUY. 826 00:35:22,160 --> 00:35:23,120 FROM WHERE? 827 00:35:23,160 --> 00:35:24,290 LAST NIGHT HIM AND DANNY GOT INTO A FIGHT 828 00:35:24,330 --> 00:35:25,860 AT TAILFEATHERS OVER THIS D. O. A. STRIPPER. 829 00:35:25,900 --> 00:35:28,370 I SENT HIM ON HIS WAY. WHAT’S HIS ADDRESS? 830 00:35:28,400 --> 00:35:29,630 OKAY. 831 00:35:29,670 --> 00:35:31,630 DON’T TELL THOSE DETECTIVES AT 94. 832 00:35:31,670 --> 00:35:34,000 I DIDN’T GET AHOLD OF YOU YET. 833 00:35:39,610 --> 00:35:41,640 HOW’D IT GO? 834 00:35:41,680 --> 00:35:43,210 IT WENT. 835 00:35:45,020 --> 00:35:47,330 WHAT’S GOING ON? 836 00:35:47,350 --> 00:35:50,020 MRS. MILES, I’M GOING TO DO YOU A BIG FAVOR RIGHT NOW 837 00:35:50,050 --> 00:35:53,190 BY GIVING YOU A CHANCE TO WALK OUT OF THE STATION HOUSE 838 00:35:53,220 --> 00:35:55,190 OF YOUR OWN FREE WILL. 839 00:35:55,230 --> 00:35:57,070 OKAY, THAT’S IT. THAT IS IT. 840 00:35:57,100 --> 00:35:59,070 I’M LEAVING WITH DAMON RIGHT NOW. 841 00:35:59,100 --> 00:36:02,070 I’LL BRING THE D. A. IN HERE AND GET YOUR SWORN STATEMENT 842 00:36:02,100 --> 00:36:03,400 AND THEN ARREST YOU 843 00:36:03,430 --> 00:36:05,070 FOR OBSTRUCTING A POLICE INVESTIGATION AND PERJURY. 844 00:36:05,100 --> 00:36:08,670 YOU NEED TO CHANGE YOUR TONE WITH ME IMMEDIATELY, 845 00:36:08,710 --> 00:36:10,350 AND I WANT DAMON BROUGHT OUT NOW. 846 00:36:10,370 --> 00:36:11,840 THE ONLY REASON I’M DOING THIS 847 00:36:11,880 --> 00:36:13,180 IS BECAUSE I’M SURE 848 00:36:13,210 --> 00:36:15,080 YOU DIDN’T HATCH THIS ALIBI WITH DAMON BEFOREHAND, 849 00:36:15,110 --> 00:36:16,880 AND I KNOW YOU HAVE FEELINGS FOR HIM, 850 00:36:16,920 --> 00:36:18,860 AND HE HAS FEELINGS FOR YOU, 851 00:36:18,880 --> 00:36:20,920 BASED ON WHAT HE JUST TOLD US. 852 00:36:20,950 --> 00:36:23,420 WHAT DID DAMON SAY? 853 00:36:23,450 --> 00:36:25,420 THINGS YOU’RE PROBABLY NOT IN A BIG HURRY 854 00:36:25,460 --> 00:36:27,970 TO HAVE YOUR HUSBAND AND PARISHIONERS 855 00:36:27,990 --> 00:36:29,690 FIND OUT ABOUT. 856 00:36:29,730 --> 00:36:33,230 DON’T RUIN YOUR NAME. DON’T RUIN YOUR LIFE. 857 00:36:34,670 --> 00:36:36,270 DAMON EXAGGERATES, 858 00:36:36,300 --> 00:36:40,040 BUT I STILL DON’T BELIEVE HE DID THIS CRIME, 859 00:36:40,070 --> 00:36:43,870 AND I THOUGHT I SAW HIM AT 8:00 THIS MORNING. 860 00:36:43,910 --> 00:36:46,410 YOU DIDN’T. 861 00:36:46,440 --> 00:36:48,480 GO HOME. 862 00:37:16,170 --> 00:37:17,810 [ KNOCKS ON DOOR ] 863 00:37:17,840 --> 00:37:19,140 Man: YEAH? 864 00:37:19,180 --> 00:37:22,820 [ Bimbo voice ] HI. UM, DID YOU CALL MY SERVICE? 865 00:37:22,850 --> 00:37:24,160 WHAT? 866 00:37:24,180 --> 00:37:26,150 UH, SOMEBODY CALLED MY SERVICE. 867 00:37:26,180 --> 00:37:29,050 UH, SWEET DREAMS? NO? 868 00:37:32,120 --> 00:37:33,420 WHAT APARTMENT ARE YOU LOOKING FOR? 869 00:37:33,460 --> 00:37:34,830 I DON’T KNOW. I WAS JUST ‐‐ 870 00:37:34,860 --> 00:37:36,460 REMEMBER ME, ASSHOLE, FROM LAST NIGHT? 871 00:37:36,490 --> 00:37:38,430 HEY, WHAT THE HELL?! GET OUT OF MY APARTMENT! 872 00:37:38,460 --> 00:37:39,600 I’M A DETECTIVE. 873 00:37:39,630 --> 00:37:40,960 THAT GUY YOU WERE FIGHTING WITH ‐‐ 874 00:37:41,000 --> 00:37:42,760 DANNY SORENSON ‐‐ HE’S MY PARTNER! YEAH, SO? 875 00:37:42,800 --> 00:37:44,430 YOU WERE AT HIS APARTMENT LAST NIGHT. 876 00:37:44,470 --> 00:37:45,830 NO, I WASN’T. WE GOT YOUR FINGERPRINT THERE. 877 00:37:45,870 --> 00:37:47,300 YOU BETTER TELL US WHERE HE IS. 878 00:37:47,340 --> 00:37:50,340 I DON’T KNOW WHAT YOU’RE TALKING ABOUT. 879 00:37:50,370 --> 00:37:51,470 UHH! HEY! 880 00:37:51,510 --> 00:37:53,140 WHAT THE HELL ARE YOU DOING? 881 00:37:53,180 --> 00:37:54,690 WHERE IS HE? WHAT THE HELL IS HE DOING? 882 00:37:54,710 --> 00:37:56,140 WHERE IS HE?! 883 00:37:56,180 --> 00:37:57,480 I DON’T KNOW! 884 00:37:57,520 --> 00:37:59,290 DID YOU FOLLOW US LAST NIGHT? NO! 885 00:37:59,320 --> 00:38:00,990 WHAT ABOUT THAT GIRL YOU WERE HASSLING 886 00:38:01,020 --> 00:38:04,290 AT THE BAR ‐‐ THAT DANCER, THAT STRIPPER GIRL KRISTEN? 887 00:38:04,320 --> 00:38:06,290 DID YOU FOLLOW HER? 888 00:38:06,320 --> 00:38:08,020 NO! WE TALKED! 889 00:38:08,060 --> 00:38:09,460 DID YOU FOLLOW KRISTEN TO AN APARTMENT? 890 00:38:09,490 --> 00:38:10,990 NO! HIS PARTNER’S MISSING, ROB. 891 00:38:11,030 --> 00:38:12,960 YOU’D BETTER TELL US WHAT HAPPENED LAST NIGHT, 892 00:38:13,000 --> 00:38:14,070 OR THEY’LL FIND YOUR BODY 893 00:38:14,100 --> 00:38:15,660 WRAPPED UP IN A CARPET SOMEWHERE. 894 00:38:15,700 --> 00:38:17,300 DID YOU FOLLOW HER TO AN APARTMENT? 895 00:38:17,340 --> 00:38:19,380 YES! THAT WAS DANNY’S APARTMENT. 896 00:38:19,400 --> 00:38:21,300 I DIDN’T KNOW. WHERE WAS DANNY? 897 00:38:21,340 --> 00:38:23,200 HE WASN’T THERE! 898 00:38:23,240 --> 00:38:24,370 WELL, KRISTEN WAS. 899 00:38:24,410 --> 00:38:26,510 YEAH, WE TALKED, AND THEN I LEFT. 900 00:38:26,550 --> 00:38:28,020 [ CHOKING ] 901 00:38:28,050 --> 00:38:29,250 YOU KILLED THAT GIRL, ROB, 902 00:38:29,280 --> 00:38:31,210 AND YOU BETTER TELL US HOW IT WENT WRONG, 903 00:38:31,250 --> 00:38:32,550 OR WE’LL COME UP WITH OUR OWN VERSION, 904 00:38:32,580 --> 00:38:34,550 AND IT’LL INCLUDE LITTLE TERMS LIKE "PREMEDITATED" 905 00:38:34,590 --> 00:38:36,660 AND "UNDER COVER OF DARKNESS." 906 00:38:36,690 --> 00:38:38,490 I JUST WANTED TO TALK TO HER, YOU KNOW? 907 00:38:38,520 --> 00:38:39,690 $1,200 IN TIPS 908 00:38:39,720 --> 00:38:41,490 I SPENT ON HER IN THE LAST COUPLE OF WEEKS. 909 00:38:41,530 --> 00:38:43,500 I DESERVED THAT MUCH, AND I TURNED MY BACK ON HER 910 00:38:43,530 --> 00:38:45,240 JUST FOR A SECOND, 911 00:38:45,260 --> 00:38:47,230 AND THEN SHE CAME AT ME WITH A KNIFE, 912 00:38:47,270 --> 00:38:49,070 AND WE STRUGGLED, AND THEN I ‐‐ 913 00:38:49,100 --> 00:38:51,000 I HAD TO STAB HER TO SAVE MY OWN LIFE. 914 00:38:51,040 --> 00:38:52,440 [ GASPING ] 915 00:38:52,470 --> 00:38:54,000 DANNY WASN’T THERE? 916 00:38:54,040 --> 00:38:55,000 NO. 917 00:38:55,040 --> 00:38:56,770 YOU NEVER SAW HIM? NO. 918 00:38:56,810 --> 00:39:00,580 BEFORE WE LEAVE, YOU’RE WRITING IT DOWN. 919 00:39:00,610 --> 00:39:03,040 WRITE! 920 00:39:21,770 --> 00:39:23,610 NOTHING. 921 00:39:24,940 --> 00:39:26,410 I NEED A BIG FAVOR, JOHN. 922 00:39:26,440 --> 00:39:28,110 WHATEVER YOU NEED, DETECTIVE. 923 00:39:28,140 --> 00:39:29,970 CAN YOU PICK UP THEO FROM HIS BABYSITTER 924 00:39:30,010 --> 00:39:31,270 AND GET HIM HOME? 925 00:39:31,310 --> 00:39:32,310 OF COURSE. 926 00:39:32,340 --> 00:39:33,810 I MIGHT BE LATE. 927 00:39:33,850 --> 00:39:35,290 TAKE YOUR TIME. 928 00:39:37,980 --> 00:39:41,480 THAT LACORY FESSED UP TO KRISTEN’S HOMICIDE. 929 00:39:41,520 --> 00:39:44,220 YEAH, WELL, WHERE WAS DANNY? 930 00:39:44,260 --> 00:39:46,630 LACORY TOLD US SOME PILE OF CRAP STORY, 931 00:39:46,660 --> 00:39:48,560 BUT, UH, DANNY WASN’T THERE. 932 00:39:48,590 --> 00:39:50,230 YOU COORDINATE WITH THE 94? 933 00:39:50,260 --> 00:39:51,960 YEAH. YEAH, THEY’RE COMING TO GET HIM. 934 00:39:52,000 --> 00:39:53,140 FEDS SAY THEY THOUGHT THEY HAD NOTHING 935 00:39:53,160 --> 00:39:54,400 ON THE HOMICIDE ON THEIR AGENT. 936 00:39:54,430 --> 00:39:56,800 MAYBE WE SHOULD ASK DIANE IF SHE’S HEARD FROM DANNY. 937 00:39:56,840 --> 00:40:00,110 WE DID. SHE HASN’T. NEITHER HAVE DANNY’S SISTERS. 938 00:40:00,140 --> 00:40:02,340 PLUS, WE CHECKED WITH CUSTOMS AND IMMIGRATION, 939 00:40:02,370 --> 00:40:04,840 AND HE HASN’T LEFT THE COUNTRY. 940 00:40:04,880 --> 00:40:08,690 WELL, SO NOW WHAT? WE FILE A MISSING PERSONS REPORT? 941 00:40:08,710 --> 00:40:11,610 YEAH, AND PUT AN ALARM OUT ON HIS CAR. 942 00:40:11,650 --> 00:40:15,620 I’LL TAKE CARE OF ALL THAT, NOTIFY THE CHIEF OF DETECTIVES. 943 00:40:15,650 --> 00:40:18,620 ALL RIGHT, TOMORROW WE PICK UP AND KEEP GOING. 944 00:40:18,660 --> 00:40:21,200 WE WON’T STOP LOOKING, AND WE HOPE FOR THE BEST, 945 00:40:21,230 --> 00:40:23,640 BUT WE GOT TO KEEP GOING. 946 00:40:58,860 --> 00:40:59,900 LAST NIGHT, 947 00:40:59,930 --> 00:41:01,700 WHEN I BROUGHT HIM TO HIS APARTMENT, 948 00:41:01,730 --> 00:41:04,630 THAT WAS THE FIRST TIME I EVER STEPPED FOOT IN THERE. 949 00:41:04,670 --> 00:41:07,800 TWO YEARS I’M HIS PARTNER, I NEVER CAME BY, 950 00:41:07,840 --> 00:41:10,340 NEVER WATCHED A BALL GAME WITH HIM. 951 00:41:10,370 --> 00:41:11,970 I DON’T EVEN KNOW HIM. 952 00:41:12,010 --> 00:41:14,810 YOU KNOW THAT HE DIDN’T KILL THAT GIRL. 953 00:41:14,850 --> 00:41:17,560 BUT I NEVER KNEW HIM, NOT LIKE A PARTNER SHOULD. 954 00:41:17,580 --> 00:41:20,250 I WAS ALWAYS KEEPING HIM IN LINE, LECTURING HIM, 955 00:41:20,280 --> 00:41:22,850 BUT I SHOULD HAVE REACHED OUT LIKE A FRIEND. 956 00:41:22,890 --> 00:41:24,830 MAYBE HE DIDN’T WANT TO LET YOU IN. 957 00:41:24,860 --> 00:41:27,000 MAYBE HE DIDN’T WANT TO LET ANYONE IN. 958 00:41:27,030 --> 00:41:29,230 YEAH, BUT AFTER BOBBY, I THINK IT WAS MORE 959 00:41:29,260 --> 00:41:30,890 THAT I DIDN’T WANT TO GET CLOSE 960 00:41:30,930 --> 00:41:32,160 TO ANOTHER PARTNER. 961 00:41:32,200 --> 00:41:34,270 I DIDN’T WANT TO GO THROUGH THAT AGAIN, 962 00:41:34,300 --> 00:41:36,730 AND THAT PROBABLY WASN’T THE BEST THING TO DO, 963 00:41:36,770 --> 00:41:38,730 BECAUSE ‐‐ BECAUSE LOOK AT THIS. 964 00:41:38,770 --> 00:41:40,400 I DON’T KNOW THIS KID. 965 00:41:40,440 --> 00:41:42,670 I DON’T KNOW THE PEOPLE IN HIS LIFE, 966 00:41:42,710 --> 00:41:45,680 AND I GOT NO IDEA WHERE IN THE HELL 967 00:41:45,710 --> 00:41:48,040 TO LOOK FOR HIM RIGHT NOW. 968 00:41:57,720 --> 00:41:59,190 [ CARTOON PLAYING ON TV ] 969 00:41:59,220 --> 00:42:00,720 [ KEY TURNING IN LOCK ] 970 00:42:00,760 --> 00:42:01,920 DADDY! 971 00:42:01,960 --> 00:42:03,260 HEY, KIDDO. 972 00:42:03,290 --> 00:42:07,030 I GOT MY READING DONE BEFORE WE WATCHED TV. 973 00:42:07,070 --> 00:42:08,610 YEAH? GOOD JOB. 974 00:42:08,630 --> 00:42:11,800 HE WOULDN’T GO TO BED UNTIL YOU GOT HOME. 975 00:42:11,840 --> 00:42:14,250 THAT’S OKAY. THANKS, JOHN. 976 00:42:14,270 --> 00:42:15,440 MY PLEASURE. 977 00:42:15,470 --> 00:42:16,940 BYE, THEO. 978 00:42:16,980 --> 00:42:18,420 BYE, JOHN. 979 00:42:23,580 --> 00:42:25,910 YOU ALL RIGHT? 980 00:42:25,950 --> 00:42:27,720 I’M OKAY. 981 00:42:27,750 --> 00:42:28,880 YOU? 982 00:42:28,920 --> 00:42:30,490 ME, TOO. 983 00:42:30,520 --> 00:42:31,890 HANG IN THERE. 984 00:42:31,920 --> 00:42:33,020 GOOD NIGHT. 985 00:42:37,200 --> 00:42:39,240 I’M GLAD YOU’RE HOME, DADDY. 986 00:42:39,260 --> 00:42:41,230 ME, TOO. 987 00:42:41,270 --> 00:42:43,010 WATCH TV WITH ME. 988 00:42:43,030 --> 00:42:44,300 OKAY. 989 00:42:55,950 --> 00:42:59,420 WHAT’S WRONG, DADDY? 990 00:42:59,450 --> 00:43:01,220 NOTHING. 991 00:43:07,830 --> 00:43:09,800 I LOVE YOU, DADDY. 992 00:43:12,500 --> 00:43:14,470 I LOVE YOU, TOO.